Written a lot about this — Korra and Korrasami with Makorra

I  actually posted a lot about this on Tumblr as fans are well, indignant or disappointed. Many are fans who are gay or who intensely love or ship gay pairings were offended by Bryan’s statement of “hetero-lens” due to its widespread spectrum implicit in the arena of homophobia. I, on the other hand, thought the comment was meh to  me because it didn’t really  feel I was in that category. This reviewer who has spent the majority of 2014 being indoctrinated into queer or even heteronormative homosexuality to the point that TPAB actually thought that all I watch is otome or queer animes is pretty much salient with the fact that I am/never was homophobic. I enjoyed some of the pairings in the otome show, saw potency in them and actually critiqued the execution of those shows.

I even wrote one of the longest reviews on this blog on critiquing and also praising Sekaiichi Hatsukoi which is a gay anime which pulled no punches.  I really liked Queen’s Blade which is a lesbian anime, though a bit directed towards guys, had all the lesbianism, no holds barred, in its glory for the whole series. I loved Maria Watches Over Us which is a lesbian anime directed towards girls. I loved Cardcaptor Sakura and thought that Tomoyo loving Sakura or even Touya loving Yukito to be very well handled. I wanted Touya ending up with his teacher not because she was female but because I liked teacher-student pairings at that time but really hated the other character liking her teacher and marrying him after her high-school graduation :/ though it was a totally heterosexual pairing. Because though it was not illegal it wasn’t to me tastefully written. I actually like Domoki liking Watanuki in xxxHolic and don’t like those other girls who fancy/like Watanuki aside Yuko Ichihara. And even that after layers of interactions and understandings comes about.  One of my favourite anime, also directed towards girls is Revolutionary Girl Utena which shows Utena and Anthy as bisexual characters and mostly lesbians, full frontal, in the animated movie retelling Adolescence Apocalypse.

So, this opinion and article will articulate most of my feelings on the series and also on the pairings that survived. It will be long, span paragraphs and I decided after half-writing it I should also push this through some pages so please bear with me. Thank you if you read all throughout the way  and Thank you for reading a bit. Honestly, this article took a long time to write — I was exposed to more material, got tired and procrastinated or cogitated a bit more. Yet I wanted this to be a comprehensive read of what I thought about Korra the series, the character and also Korrasami and Makorra. I will put briefly that I had higher hopes for the series but they were not met and as you will see this is more than any shipping or anything else.

It has to do with how  TLA was handled and how LOK was handled: both  are different shows and may deal with different things but have some core elements. It is the same way  you might judge a reboot or even the different installments  of the Final Fantasy series. It  was mostly how  LOK was written independently in itself. How  it  was budget cut a lot by both Nick and how Bryke had many problems with Nick that eventual made this an internet only show that was also facing cancellations. So much so that Book 3 and Book 4 followed one after the other. Also, though  I personally have nothing against Bryke I do think as writers and creators who were facing a lot of pressure that they did do some mistakes and mess up. Also Nick initially did not like that Korra was a girl and wanted her to be a guy because the Aang formula was pretty much potent still and in these series people  for some stupid marketing reason and cultural biases want the main protagonist being a male and not female.

The TLA team was larger, had more writers and obviously many discussions amongst Bryke and those other people so many more ideas and expansions of concepts  were apparently plausible  and executed. Bryke originally wanted Toph and Azula to be guys and also wanted a love triangle between Katara, Aang and Toph so obviously that idea was scrapped by many  others pitching in their ideas. Asami was initially also meant to be a villain I wouldn’t have minded if that happened because I think Spysami is pretty more interesting than thinly written Korrasami. Or, she may have been a double agent that would  have proved volumes about her dexterity in general. Makorra was, as I read from Tumblr,  described as the perfect pairing by Bryke themselves and how Korra and Mako were right for each other and “soulmates” — so I think Bryke’s Korrasami was done almost like a last minute thing. In fact, I don’t think they did away with Makorra either which is telling in the  finale episode. I think they were confused at what to do really and thought that keeping both pairings open but focusing a bit more on Korrasami was the only thing they could do to “salvage”  the series because before this finale  many people had heavily, explicitly, inexorably critiqued Legend of Korra both critics and fans alike.  So, LOK had a lot of problems since Book 1 that had  to do and nothing to do with Makorra and pairings and stuff.

I won’t  lie that I fast-forwarded to  the last scene in LOK to see what happens because by this time I was kinda bored and wanted to know what happens to Korra and by Book 3 and 4 the hints of Makorra were pretty high I wanted to see if they patch up, after some time of course because  some time even passed for Kataraang to happen. I was impressed with the spirit portal which became like the equatorial region of their world and that was awesome.I loved the  last scene music and ambience but the pairing made me very unhappy because it was just too rushed and scatterbrained to be a beautiful buildup.

So to continue, though some fans of Makorra are homophobic; most of us  aren’t. This is due to the fact we come to this show after years of watching anime shows from its infancy dealing with heteronormativity, queer sexualities (both straight and gay), performativity, and also the construction/reconstruction of identities. So, as most of us  are in our late teens and twenties or even forties we are already nonplussed by homosexuality rather accepting it wholeheartedly as a romantic-sexual outcome. We have relegated our “hetero-lens” a long time ago even before The Legend of Korra or The Legend of Aang/The Last Airbender premiered. I have criticised Korra on numerous occasions and none of them were solely on ships. As listed below:

Legend of Korra, Book 3: “Change”  Criticism

Korra Season 3 Comes to An End

I am not partial. I have enjoyed gay pairings and straight pairings with equal zeal. I am not infected with “hetero-lens” — also I have accused Korrasami of a “hetero-lens” too. That one is that of heteronormativity. As a friend of mine stated gender or a critique of gender was not established in Korra. Korra is, as Anime Live Reactions put it eloquently, stereotyped as a strong woman/person of colour becoming bisexual and lesbian to validate her strong, “tomboy” existence. Asami’s sexuality has always been a game. She is a doll, a feminine debacle, and having Korra, a masculine, pair up with her reinforces a heteronormative way of looking at things. It essentialises that the  avatar spirit is  a “male” spirit with or without past lives because Wan, the first avatar, pretty much is shown to be in a relationship with Raava, a female spirit.  Lesbianism, gayness or even straight-on  heterosexuality is not about binary images but heteronormativity and performativity does reduce it to such.

Korra cannot be alone or be in a heterosexual relationship because that also incinerates the  heteronormative way of looking at heterosexual relationships. Makorra ending in a bad note now encapsulates and also mediates on the fixation that strong men and women cannot mix. This stereotype is nothing new. If Mako and Korra could end better we would not point fingers at this rather Bolin and Korra’s chaotic end was foreseen on a lack of attraction on Korra’s part and even Bolin does not date Eska due to her domineering and inhospitable personality. Korra and Bolin are strong and do have chemistry but they end amicably, on good terms, there is hardly any name-calling and finger-pointing between them. Bolin does not  ever bring up that Korra broke his heart by kissing her brother nor that he wanted Korra to apologise much because they went through things that allowed forgiveness and friendship to happen. Ironically, even Bolin and Eska’s breakup  and later encounter seemed both comic but also reasonable and realistic. It was apparent that they both have considerably, without a doubt moved on. The way Mako and Korra interact are still as lovers even by the end of Book  4  breakup or no breakup  they just do, both context and subtext affirms it as a romance with mutually concerted feelings — it’s pretty confusing.

Sekaiichi Hatsukoi— How Ritsu Onodera can be a good shounen protagonist in another anime

 

Yes, this is a shounen-ai anime.

It is about a young man named Ritsu Onodera who is painfully shy from romance and any kind of love life. When he was younger he was seemingly betrayed by a older boy he loved and as he was not the social-sort and always a bit timid he resigned to not really be in love.

Unfortunately for Ritsu, the very boy or now man enters into his life ten years later  in the Marukawa publishing house’s Shoujo Manga division. This man (boy) is Masamune Takeno who was once known in school as Masamune Saga . They both do not recognise each other, obviously, due to ten years of absence in each other’s lives. Yet Masamune later on looks closely and realises it’s his first love and decidedly declares to a reluctant Ritsu that in a year he will make him confess his love for him again.

Ritsu is obviously 100% annoyed. This man broke his heart and now attempts to be so casually engaged with love again. Apparently, Masamune mentions that it was Ritsu who had done the betrayal and not him. This also confuses Ritsu because Ritsu has no recollection of ever hurting Masamune. Yet Masamune seems interested in not losing Ritsu this time and for establishing love once more.

Can these two stay together or will there be no way to0 resolve what was probably miscommunication and hurt on both ends?

That;s basically the entire show. The worst thing is it is not nicely executed. One will see this show for its beautiful graphic and colour palette, to see some of the inner workings of a manga publishing house, to see lots of snogging between attractive men and the minutiae of life with attractive men. I know I enjoyed those moments.

Did I like the couples or did I care about them?

Fuck not much.

Seriously, I do not want to offend any fans nor do I want to offend the mangaka but this is very badly executed, even if the singular idea of reuniting love or accepting love is not bad.

I was introduced to this series I think when I was looking for titles as such. I took a small break from it but returned to it a year later because I actually liked the character designs and the real-world based setting. So my chagrin lies on the fact that a potentially good story is quite weak in structure be it symmetrical or semi-chaotic.

I admit I liked rewatching the series for its fluff factor which can be just zoned in to moments but I did not particularly care about any of the characters except Ritsu Onodera and Takafumi Yokozawa which is a bit sad as there are many characters so 😄

This isn’t going to be a regular review as it will mostly focus on my personal reflection. It is also going to be LONG and SPOILER FRENZY based on both seasons and the movie. 

Despite me not so interested in this anime I can write long about it. I guess I have a lot of opinions on the series. I do like its fluff and that makes it re-watchable but I felt it had more potential that could have easily been extracted and executed yet alas that did not happen. Oh well onwards!

The main couple, Ritsu Onodera and Masamune Saga/Takano are a bunch of incompatible, uninteresting, too-sexualized, too passive-aggressive, non-flirtatious, non-talkative, stalemate (checkmate), misunderstanding, extremely poor communication bunch of lovers you could see. Their singular spark comes alive in really off-hand and pretty much coerced kisses between the two. Yes, and if you know the shounen-ai dichotomy you are well aware that Masamune is Seme and Ritsu is Uke and that the Seme is supposedly the action-taker.

My foot.

Masamune is a drab guy who somehow thinks that coercively kissing Ritsu is the only way to rekindle what may have been a genuine first love or even a crush. I see most of the action of their youth being taken by Ritsu and also accelerated by Ritsu with only erotic or semi-romantic actions being boredly or even honestly initiated by Masamune, Fast forward 10 years later and Masamune is still kind of a prick who acts all high and mighty.

I can understand that he has a developed a “killer attitude” in the workplace yet with Ritsu he is not as understanding as he should be nor is he tolerable or a person who respects another’s private space. I can understand the separation has instilled in him a desperation that he longs for Ritsu but dude grow up you guys had a huge break and are at a deadly impasse don’t jerk Ritsu about.

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Ritsu looks great when he is aroused My God such a beautiful man
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Yeah Masamune stop being a jerk

What this so-called couple needed was good-old fashioned talk-therapy between each other. I mean even as  the anime is expiring and both have kissed each other’s faces off but Ritsu doesn’t know why Masamune thinks he has abandoned him and Masamune shrugs off Ritsu;s complains that he was brusque and insulting to his feelings post-coitus.

In my opinion, Masamune is a culprit. No matter how you look at it you saw that Ritsu is a mild mannered person and anti-social. Laughing like that after sex when Ritsu asked him did he really love him and not affirming his  belief is actually a very nasty thing to do. Obviously, a sheltered and even looking like a bullied person, Ritsu would think that Masamune is just passing time with him as  he does in the library reading (though they did once lock the library and got a bit hot there).

I admit that Ritsu’s escapism is also at fault. If Ritsu just told Masamune straight off that he is being a jerk and he shouldn’t take his feelings lightly even if they are a bit intense I know this whole situation was avoidable. Yet Masamune did everything to initiate it. Even 10 years later he brushes it off as he was going through a lot then with his parents divorcing and how he was a bit of a punk then but that still doesn’t really excuse him. If he is so keen on wanting and loving Ritsu he should just be there for him and prove his love because all those years back Ritsu did all that so now it’s his turn.

No, he doesn’t do that; the guy just prances around and just sexually harasses Ritsu whenever and wherever hoping that Ritsu will relent. At times Ritsu does and they have weird knocked-out kind of sex that Ritsu either intentionally blocks out or has a hangover and kinda doesn’t remember (O_O :/). Instead of also informing him that he had sex Masamune does the whole you don’t remember speech over and over like they are on some of eternal repeat.

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Yeah, it gets that annoying. Not to mention Masamune withhelds information; he is as bad as shoujo-stereotype heroine (as in bodice-ripper) implicitly telly Ritsu that he is not an innocent though obviously Ritsu is sexually still an innocent and quite untainted in his analysis. At the same time he is explicit as a harlequin man doing coercive action hoping it would be similar to affirmative action (I kid you not). Thus he is a merging of two tropes that bring out a bad synergy rather a positive or even tolerable one. Ironically, the best synchronized trope mix is Takafumi Yokozawa who is an ex, friend and colleague of Masamune and also his eventual lover Zen Kirishima (more on that later).

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Yeah Yokozawa catches Ritsu being sexually harassed I mean well with Masamune LOL

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Masamune later on in the movie decidedly and finally apologises to Takafumi for in a way jerking him around. In some ways Masamune blinds himself of the dedication that Yokozawa puts on him. In my opinion, Yokozawa first two TV series is a complete asshole. It also doesn’t help that Ritsu becomes too passive about him. I understand Ritsu’s reluctance to have a verbal spat with a company senior but a few choiced remarks would have been helpful especially at one time Masamune points out (coming to the rescue) that Yokozawa deliberately did not pay attention to Ritsu’s work. Not that he pulled the classical jealous bitch and sabotaged it he just didn’t give it the attention it deserved.

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Yokozawa lashes out at Ritsu because during university years Masamune was a wreck not able to cope with anything, becoming devoid of everything around him and naturally he blames Ritsu’s sudden disappearance from Masamune’s life as the sole cause to his psychological breakdown. Masamune does not especially since we see in the last episode of the 2nd TV series that Masamune’s parents were pretty negligent about him and also they were on the turn for a nasty divorce.

Yet Yokozawa thinking Ritsu is  Masamune’s kryptonite is not abnormal nor unfair though his treatment of Ritsu is pretty unfair. Takafumi thinks that Ritsu is like a tease who specialises in breaking hearts which is a far cry from who Ritsu Onodera is. Not to forget that Masamune doesn’t really translate Ritsu as Ritsu as in he admits that Ritsu has changed a bit  10 years  so Ritsu has obviously matured so he doesn’t know him much anymore. This “stranger” attitude is how Masamune handles the Yokozawa-Onodera situation though he deeply suspects that Yokozawa is being a bitch to him. Takano does not really blast Takafumi much for being a bully to Ritsu which is also something I hated.

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That is why Masamune is such an incompetent lover. Aside his kissing vibes and actions he hardly understands Ritsu nor is engaged to Ritsu as a person. The mangaka just treats these people as instruments of romance rather than actual invested lovers. I read in wikipedia that Shungiku Nakamura actually wrote Sekai-Ichi Hatsukoi as a spin-off to Junjou Romantica which I am partially familiar with. Nakamura may have just treated this as a pet project or something because to me it is not the best first lobe in the world <sweat drop> On the contrary it trivializes the precepts and concepts, of love and romance to a certain degree though to give it credit it has  a few gem moments.

My favourite character is Ritsu Onodera. As a character he is the best written one in this series. Though a traditional uke in some design blueprints and precepts of personality he is ambitious, non-conformist at some turns, not a belligerent hardass nor a complete doormat. In reality he is more fiercer than Takafumi and Masamune.

This young man of 25 has more spunk and direction than the 27 year old annoying git Masamune.  Ritsu has an impressive family history in the publishing industry but decides to just escape from it. Masamune does say one valuable thing: your lineage is just a surplus, a little ladder that gave a small boost it isn’t you in your entirety and it won’t qualify you or your work if you don’t understand or are conscientious. That is the most valuable gem in the series and Ritsu is a living embodiment of it.

Ritsu would have better in a shounen anime or another drama where he is bisexual or a thought experiment of an anime.  This is my own personal thing but I can easily visualize him in  a university drama like Honey and Clover or a male model in Paradise Kiss who is Yukari’s classmate/lover/friend. I can imagine him as a ninja in Naruto or a detective in Death Note or even Misa Amane’s co-star who is rightly suspect and discovers things about her. I can even imagine him as Prince Tutu, and extension of Princess Tutu. Or even as a cast of Free! or Haikyuu!! Yes, I can imagine him like this because Ritsu Onodera is so beautifully delicate and strong, such a large potential of attributes and personality with a repertoire of diligence and finesse that I seriously think he is wasted as just the love of a guy named Masamune Saga/Takano.

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This is honestly my opinion. I think in all those incarnations he would work in publishing because he has a literary and artistic talent that is quite beautifully presented if not wholly fleshed out. Yet he can work on other things I can see that capacity for it. Masamune, on the other hand, can be the archetype seme and just be that; his character is narrow and static. Ritsu’s is not.

What anime really needs is this —> Real Love (Yeah dating sims otomes harem fests, yaoi blowovers or yuri thralls I am pointing at you)

You know when I saw Fushigi Yuugi what made me like it? Yeah Miaka got a guy kinda easy, unrealistic there, but her love was never smooth sailing — Tamahome and her had lost of tame but crucial arguments and didn’t just go out on flirting first they knew each other as people before they fell in love. This was beautifully contrasted in Yui who just was attracted to Tamahome and she was the perfection “anti-otome” symbol of the show. This is also done in a Shounen anime where in Rurouni Kenshin Kaoru and Kenshin are also not on each others’ kimonos and the attraction “anti-otomo” symbol was Megumi who was very attracted to Kenshin but well it was always made clear that her feelings are like a little cough compared to the entire respiratory that was in between Kenshin and Kaoru.

Now Seth Adam Smith may be a Christian dude and we may not have much in common but his article actually made a lot of sense. Don’t trust me, read on:

Our society places a lot of emphasis on feelings. We are taught that we should always follow our feelings and do whatever makes us happy. But feelings are very fickle and fleeting. Real love, on the other hand, is like the north star in the storms of life; it is constant, sure, and true. Whenever we’re lost and confused we can find strength in the love that we have chosen…

Love is so much more than some random, euphoric feeling. And real love isn’t always fluffy, cute, and cuddly. More often than not, real love has its sleeves rolled up, dirt and grime smeared on its arms, and sweat dripping down its forehead. Real love asks us to do hard things—to forgive one another, to support each other’s dreams, to comfort in times of grief, or to care for family. Real love isn’t easy—and it’s nothing like the wedding day—but it’s far more meaningful and wonderful.

Yeah, real love is not supposed to be just cuddles and kick (that’s a good title for an otome XD) it supposed to have something in it that can be worked out. All those animes of old 80s and 90s actually tried to “make love” as in more meaningful than sex or even kissing or seduction and it worked. Nowadays characters fall for each other because they are “pretty”, “hot” or “cute” Hell Rurouni Kenshin is a shounen anime and Kenshin is not the sexiest guy (though to me he is) in the show apparently Hiko, his teacher holds more candles and so does Aoshi and Sanosuke. Kaoru is considerably less attracted than Megumi even Yumi but their love makes heart throb. Miaka is less attractive than Yui and also Tamahome is not attractive than Hotohori or even the villain Nakago but their love is real and that what also made those works masterpieces.

So, I wish that today’s market also looks at these things. Yes I know that otome is also for fun but you see this mentality in all shows I mean seriously in both Log Horizon, Sword Art Online, etcetera that couples fall in love way too easily or the girl or guy character is a “type” that must be fallen in love with. I also saw this Blood-C where the antagonist was rooted for as a great person because he did so much for Saya. Hello, no, he did those things because he was selfish and wanted Saya to change — on the contrary Blood + had Haji and Saya going through a lot then thry became love not some selfish guy trying to change someone or kill others just to see if his love can be experimentally come true. Which is the lousiest. So fail Blood -C compared to Blood + and guess what many love stories nowadays fail even the sort of actual cuteness of Goku and ChiChi or Bulma and Vegeta.

So, yeah love, real love takes both effort and the cuddles so yeah writers write more substantial things again 🙂