Yup, Ghost in the Shell is coming back again this year. Last year they did a loose retelling of The Stand Alone Complex series or even the series in general with Ghost in The Shell: Arise which actively explored Makoto’s army history and the beginning of Public Security Section 9 which is the paramilitary operations that handle tough to crack down cases, and also functions a bit differently than police or army. It is a median of sorts in a world where armed forces are as extreme as the terrorism or criminals they fight.
Arise episodes were long, as in feature length movie length, and reintroduced concepts from all the media related to the series. Arise was additionally noted to reintroduce Makoto’s original look from the ’95 (or ’96) movie with basic front bangs (not the curved ones) and a younger major. Her clothes also mimic the original movie but had some of the glossiness of The Stand Alone Complex series minus the overtly exotic or outre sexual look. Her original look is still pretty popular due to its classical imprint and it looks like it will be continued in the 2015 “retelling” of sorts of the original Ghost in the Shell. It is to mark 25 years of this innovative and philosophical anime that made it an international phenomenon with its still unique concepts of humanity, cybernetics, personhood and identity.
I am totally psyched to see this movie 😀
(Below is the Anime News Network article)
(picture from Ain’t it Cool News http://www.aintitcool.com/node/69962)
Well, the summer got pretty interesting. First of all I was watching the miniature movie/film that serve as part prequels or retelling of Ghost in the Shell which some say is a prelude to the entire Stand Alone Complex series but there are some narrative discrepancies so I am not sure if this is totally attached. However, as I read the design specs follows Matoko as she was in the fantastic movie that debuted her to the world and inspired the matrix. Ghost in the Shell; Arise (as it is called) however, despite the good story line I feel that emotive Matoko whose eyes and lips talked so poetically is not really present. The Ghost in the Shell movie was both a cinematic artistic treat and had such emotional depth. I know it is unfair comparing it with a predecessor but I love when Matoko goes into those “ghost moments” where we see her as both fighter but also philosopher and a semanticist/semiologist attempting to crack down the mythos and meat of her cybernative driven world. And as usual there are avatars or visual, stylistic, impressions of “the puppet master” which may seem old but they do try to put variations on the idea.
I think the flaw with the series is that as it does specialise with “ghost” crimes it needs to be more broad spectrum rather than just ghost hacking or some other things related to it. There is a whole back story of World Wars IV and V I think which were non-nuclear wars that could be explored. Also some parts of Matoko’s origins have drastically changed from that special episode in 2nd Gig where Matoko cybernetic body was given its full address (and also the origin story of another important character). Well, that was rehashed. I am not so pleased and my opinions may be totally subjective but their credence lies on how it lessens to an extent the sort of complex activities, pains, complications and hardship not to mention discipline and experience that God given endurance made Matoko such a more spectacular person who I came to respect more. Though this origin story also highlights on a complex hardship it mitigates the higher details I mean they could have shown the pain with more volatility. Parts of it was shown and here is spoiler informationbecause Matoko was orphaned after a plane crash and her fetal body deemed unable to survive, as her mother was dead, during the period she was alive they did a procedure that transported her nascent mind and brain into a small cyber-brain making her efficiently more or less a born cyborg never having a moment when her body was 100% flesh and this to a high degree does upset and disturb her; not to mention that made her body as all the other cyborgs in the military, or I am guessing that people with that amount of cybernisation become soldiers, inclined to buy out their cards from the army meaning that they are slaves and property to the army until they can buy their freedom or otherwise stated. Matoko’s army division due to international jurisprudence and current wars, being that the war has just recently ended, is comprised of people who are both Japanese and not. There are a few Americans in her division like her commanding officer Colonel Kurtz. Thus the army profiteers from cyber slavery and slavery in general which is pretty much what mass capitalism or mass socialism equipped with consumerism does to people with its neo-liberal oligarchic elites making lives the center of business affairs. In fact, the cyborgs are made to live in a compound and any unauthorized leave even beyond a fence is considered worthy of immense corporal punishment and you see it happen to Matoko. Matoko is so imprisoned that she is given horrible shocks even if she attempts to take out money from her ATM without her army board’s authorization. End of spoiler and well continuing.
The other flaws is that it should provide more non-tactical scenarios with Matoko and her team. They do this with other people from time to time but it would nice to see Matoko interact with a 100% humanoid even one without a cyber-brain so that we can how the dialogue and interaction changes and varies or is cemented; how empathy is gestured and forged. They did do this with Arise where Matoko looks at other cyborgs at times; however I will say that the beautiful panoramic way they did this in the first movie is somewhat missing. You may have the technology now for finer cells but for some reason the vintage like prints of that old movie had more a organic fiber to it than these too sleek and smooth cells. They actually hinder Matoko’s body language to an extent I think; emotive, quiet scenes of Matoko rumination or feeling she is nowhere near the actual looking glass feels more attributing to a masterpiece. I do like that Matoko is not so sexualized in this series as she wasn’t with the first movie. Matoko Kusanagi is like all humans a sexual being but her body despite its prosthesis is not a sexualised thing and this is a major distinction that was made in the episode Cash Eye from 2nd Gig because Matoko knows she is beautiful and has erotic appeal but she is an iron clad individual and her outfit in Arise is full fledged remark of that. It’s blood shade and features reminds us that she is a glossy but flesh and fluid human not a synthoid of pleasure. Matoko’s face and body are now normal; she is attractive but not so voluptuous I do not mind voluptuous but I do mind if that becomes center stage and not Matoko as a person. She is actually a bit more athletic and sleeker now given her military background and that is more appropriate to the context involved. We also learn a very important thing which I do not understand but may have later been added or will later change Section 9 is not only Matoko’s team, Matoko’s team is just like an addendum to Section 9 or this is how Arise makes it. This somewhat confused me because Section 9 unlike the other sections is small, pretty much covert and very specialised it is not like conspicuous or large like Section 1.
Aside this, from my recent review, you know that I watching Free! Eternal Summer compared to Ghost in the Shell it’s like comparing a small toy car to the Formula One event of sorts. But hey I like toys if they are fluffy and also cool and I already watched up to episode 3 of the second TV series. It is going phenomenally good? Compared to episodes 1 and 2 I wasn’t impressed with 3 though episode 3 had its moments and made a very good character development just its pacing and its techniques felt a bit sluggish though as usual its animation was top notch. This is also an episode where direct shounen-ai or yaoi was referenced by Gou so it was nice I liked it and you know that this anime does not mind that though as usual as its not totally a shounen-ai anime (yes, trust me it does have other slices of life things going for it and the way it positions itself it has more teaser elements so its partly not a total shounen-ai fair) we do have characters offering an alternative perspective. I actually want Haruka to get with Gou. I liked this from the first season. Something about them really clicks. I don’t know maybe it’s that Gou understands alot about Haruka at times I feel she gets him a bit better than Rin (Think Harry/Luna from Harry Potter) and they have such quiet but intense conversations at times. Like asking really important questions. And I know this may sound a bit bad to some but I am craving a bit of Het I am. I mean I like variety and I want genuine Het in this show too because the way things are Haruka looks like a character that swings both ways (personality wise he is a more mature version of Kaeda Rukawa; yes I said it. As Slam Dunk focused on Hanamichi we never got real vignettes of Kaeda and I think if Kaeda was alone he would act a bit like Haruka he already does with his off-handed sleeping but Haruka is not as competitive or single minded as Kaeda as in he is surprisingly more flexible and inclusive) and he and Rin, as this Youtube reviewer noticed expertly (forgot his channel) that like Rin Haruka has also matured and also developing. Of all the characters in the show I will say that personality wise Makoto is the most matured and developed. Truly, for a young man he is already acting like a full fledged adult. I want to see Haruka in more expressive situations like anger, hurt or even an emotional carthesis. I mean like “Don’t go Gou-kun!” though like Gou he hates honourifics like that tehe.
I got to know from the Youtuber EmergencyAwesome that Legend of Korra Book 3 Change came out and they are showing double episodes. I was really happy. Thank Allah! Woohoo! Got to watch. There are 7 episodes out and I am liking the concepts but as usual the energy of Book 2 is missing. The people in charge are getting lazy again. I was really disappointed in episodes 6 and 7 and I thought that their magnitude sucked and I see this book is beginning to have an elitist flare that The Last Airbender lacked. This world is very bender focused and many people are benders but Amon did ask a good question why are non-benders treated unfairly and are not given opportunities. I am finding that the directors and storytellers are being very remote on the socio-politics of the show introduced in Season One. Some are being addressed. At one point Korra is asked what she thinks of government systems and colonization is also very nicely added as before. Earth Kingdom territory was used to make Republic City which is the hub for people of all nations but not many people are happy about that and that is somewhat understandable seeing that Aang had a hand it in makes power politics be highlighted a bit. Korra, unfortunately, is even at one point seeing that. Though Tenzin makes very weak observations and so does Korra. People are a bit angry at Korra at her decisions which is viable but Tenzin tells her not to worry too much on their everyday complaints. I was like why not? They are people and they have a right to question her or their leaders but at the same time Korra is doing a poor job helping out. I am angered that such delicate issues are being rushed. I am happy that Legend of Korra has more modern realistic elements and themes compared with The Last Airbender because that series elucidated bending more this one elucidates how life is with or without it.I was also not impressed at how despite people not being coerced or apparently not to make choices they are herded out to do so (more on that later) I am impressed by Asami in this season because she is more of a flexible and nimble fighter than Korra. Korra’s martial arts need polishing so does Mako’s and others because they rely too much on their bending. These things need a separate post.
I also saw Justice League: The Flashpoint Paradox it was really good. I am really happy that they focused on how serious and noble Flash is. We usually see Flash
as a jokester and a half mature person. In this installment he was so refined that he even inspires Batman. I guess I did miss his jokes a bit. Yet I was impressed by how they built his character. Full endurance he takes really massive beatings and really takes a heap of torture; psychologically, emotionally and physically. I started to respect his character more. Not to mention this Justice League features violence, blood, swearing gay references which were all huge. It also criticizes all A list countries for their knack and passion to make wars as easily as they can bump uglies in a dilapidated alley. By the end of the feature I think I started loving Barry Allen. I mean he is a very credible DC hero and I am happy that this film gave him the scope and matter to prove that he was one. I also was impressed by Lois Lane because in this film they showed how many ordinary non-super powered humans are very endurable and very resilient and strong. The non-supers have an equal and able place and I think its about time that these stories show that. Realistic stories have to have that. Hey even melting clocks in The Persistence of Memory of Dali’s had something very real: clocks. Overall I really loved this movie. It’s only flaws I would say is that DC’s animation style needs revisions and very good ones. Their male characters look like steroid spans not people; yes muscular but they also need to look attractive for viewers as in faces. This film is more of a body thing even with its female characters except Lois Lane I don’t think many looked that great yeah Diane looked like her artist make her have a lazy face. I don’t want high cheekbones what I want is variety and relatable faces and bodies of people.
At the moment watching sparsely/intrinsically the masterpiece Ghost In The Shell: Stand Alone Complex
The Ghost In The Shell is MASHALLAH one of the best anime MASTERPIECES that I watched. It is philosophical, intellectual, engaging, action oriented and preferable fiction of the day. I watched it in my adolescent years and it has been one fabulous ride throughout. It never disappoints as it melds awesome stunts with cool psycohological mind bombs!
A guarantee win for anyone loving complex and simple flux — aka plot with substance and action for purpose!