It is very hard being an adult who likes animes and stuff. Many people don’t like or like as much or at times more than you.
Well, Legend of Korra Season 3 or “Book 3: Change” has finally finished. I feel a sense of relief. Like after a tsunami has decimated something I am a survivor. Kind of like the opening level credit start of Tomb Raider (2013) or as I call it Tomb Raider: Survivor when Lara emerges out of a caving-in tunnel to open skies but wounded, alone and really messed up. Yeah, ironically, Korra must have hated her own season because at the end of “Change” she is very physiologically changed and somewhat psychologically scarred. This season should have been called “Air” or “Return of the Air Nomads” (aka like Star Wars) because the only visible changes are that Air Nation is now coming back and that two individuals are at the crossroads of something big — those two are Korra and Jinora.
As usual this review will be Spoiler heavy weight champion so caution and tread carefully (like how you held SHIFT button in those old Tomb Raider games to cross spiked grounds and not fall off ledges).
This season was, as I mentioned before, the worst season of the Avatar franchise. It had some great concepts but lacked the execution, momentum, clarity and elocution to actually address and tackle the large problems it has been throwing. One of the best things about LOK was that it focused on different conceptual arcs (not side-stories but actual arcs) on the flaws and complications of the world. However, it muddled them like a bad dish served rancid and cold after a sand-storm and blizzard passed and you could feel the icicles and dust in your mouth as you chewed the abomination flaunted as food. I am seriously feeling sorry for the youth and kids of the post-00s and 90s generation because they are given really bad ideological stirrings and told that it’s discourse and analysis of it.
Season 3 was more focused on Jinora and the air benders. Zaheer and the Red Lotus crew of P’Li, Ghazan and Ming-Hua really have no place in the story but to add a temporal dimension to the cast of bending potency meaning that they have accelerated the growth of bending in its subdivisions. Like Zaheer knows how to fly and make air-bound asphyxiation techniques and fog camouflage well, Ghazan knows lava bending, P’Li can combustion bend with her mind and Ming-Hua can do awesome things with water that even challenges her body as she is armless. For a group that yearns a more secure and spiritual base in their actions they sure have been made into bunch of really crude villains. Also unlike Season 2, Korra does not mature with her interactions with them. Rather, the Red Lotus was so useless as even plot phenomenon in this season. They are not necessarily evil. In fact, before they killed Hyou-Ting no one even said “evil” much and the show attempts to force us to accept them as villains by calling them “low life” and “terrorists” reiterating these concepts so vulgarly that it is like total coercion on the producers’ part. Ozai was called king but he was apparently a bad person by his actions and words — no one had to be convinced he was bad through propagandist ways of attempting to seduce our intelligence via coaxing and skillful mind-rape.
When Zaheer finally captures Korra he says he doesn’t want nations or states, or warriors or what-not. The Red Lotus want that people can live peacefully without a symbol of bending or non-bending , or a specificity of nation but rather on hard work, love and integration of people. Yeah, maybe the way he was trying to do that was obscene or too extreme but his ideals are not really warped. We see that his lover P/Li was saved by him from becoming an instrument of battle by a warlord. Yes, for people like them it is difficult living in a consumer driven world where skills are molested by the overarching monarchy and hegemony of power-hungry individuals or collectives. Zaheer, unlike Ozai, truly believed that the Avatar caused pain or rather did more disservice to balance than service. And truthfully, Wan, Roku, Kiyoshi, Aang and Korra all do MESS UP BADLY. They interfere or at times don’t involve themselves in things that causes more damage.
So, yeah I didn’t want The Red Lotus to kill Korra and I do not agree with their methods but they have a good enough reason to want to change social orders and all that. But instead of ever doing anything to talk to them or even see their side Korra just outright attacks them and says really stupid things to them. What also got exacerbated was how the writers made sure that Korra can find no alternatives to actually salvage the situation and make it good. The killing of the earth queen and the riots of Ba Sing Se and the air nation held hostage did nothing to anything. It was obvious that Red Lotus (which is bigger than Zaheer and co.) don’t care about anything besides changing social order and so Korra should have fought them on that regard like she did in Season 2. Yes, her personal self is also intertwined in the fight yet this time it felt that she was just fighting to save herself making the season a very weak portrayal of the term “avatar”.
One can argue that self is very important and that survival of your life is very important. I do agree. I just feel that it was a very messy and unconvincing fight for the narrative cycle of the mythology. It was good to see however that Vaatu has still that modicum of influence of making an avatar lose it as any evil does when you are feeling despair. Basically, Vaatu is like a demonic or devilish Mephistopheles (read Dr. Faustus) who is goading or prompting a human to make wrong choices as in self-destruction so basically Satanic in many ways. I was quite irked that Raava being so endearing and well responsible for the avatar’s well-being can’t help her fight off despair when she really needs it (so much for being a engaging light spirit of principles). This reductionist storytelling is the entire problem of Season 3. Unlike the intensities of Books 1 and 2 Book 3 dabbles on such mediocre methods of storytelling and execution that even Zaheer’s downfall makes no sense. Zaheer was written into the script just so Korra and Jinora can have this bump me up some ladder of hierarchical temporary and flimsy progression.
I do not see any reason for Zaheer to even matter as much as he did. He just didn’t. He was a nada in this series main highlights of introducing other geographical and geo-political locations of the avatar mythological world. This could have been via other ways and Korra traveling had nothing to do with Zaheer. I do not see how this Book was like Legend of Aang/ The Last Airbender in any way. If they were thinking that “Book 1:Water” then yeah there was a lot of metal bending and lava bending and water bending (metal can be a subset of water bending in liquid form and so can lava). But even the journeying was minimalist compared to TLA and also the narration was. Korra didn’t need The Red Lotus because technically and even in many ways The Red Lotus were not really interested in wiping out the Air Nation who after the finale has decided to continue with their nomadic roots but help people of all nations and stop corruption and misuse of power whenever they encounter it. Tenzin does say that unlike their ancestors they will be more involved in worldly affairs. I cannot celebrate this because it is as ambiguous, in a negative sense, as what Zaheer was saying. It was if you think on it.
Exactly how can you combat structuralized and conformed violence and injustices without any creed or code to back you up? Also, The Air Nomads where, as they shown in TLA, the most unwavering and inflexible people alongside the corrupted Fire Nation. In fact, Aang broke that trend. By being more involved but not so much to intrude and by marrying a water bender (he would have married Katara even if there were other airbenders because Aang was like that) and by making a multicultural society that values diversity but keeps cultural influxes and heritages. Aang escaped because the Air Nomads where too disciplined and rigid. They may not have craved power as tbut they did not like different views as no one could do things outside of tradition. They were deeply powered by the rigidity of asceticism. Aang is hardly an ascetic. Aang fell in love, intermixed with other cultures, ate much (not little but with restraint), traveled, learned other cultures and even married another tribe person, Katara. The Air Nomads have to understand that not everyone like traveling or even living an ascetic-lifestyle and that should also be respected. It was because of this that Tenzin had trouble recruiting people in the beginning. True that Air Nomad culture is rooted on more spiritual principles as the Water Tribe and that is quite beautiful but Tenzin was adamant to make sudden large changes in people’s lives. That is hardly fair concerning that most of those people are already scared. The Air Nomads can have different kinds of nomads as real world cultures do have.
Though it would be helpful if the Air Nomads do revise their policies and living accordingly as the Water Tribe and Fire Nation did. The Water tribe is a very flexible culture even if it has its disparages and cultural problems. In Book 2 the Water tribe revised its need to have both incorporeal aspects with corporeal ones. One good thing is that Air Nomads are also adding corporeality with incorporeality too. But like Water Tribe they must review and rethink all the time while keeping core principles. The Water Tribe’s adaptability has always made me love it. From TLA to LOK I have seen that it has gone through many phases and faces but has a natural way to balance itself more or less. The best part was that Korra agreed with Unalaq, not his methods but that the world needs spirits and humans to coexist and thrive. The Air Nomads are still young and thus need to learn how to intermix and adapt.
One point I did not like is that cultural discourse is absent from this timeline. Even within the Earth territory Zao Fu is a fiefdom. No one within the Earth territory challenges the Earth Queen. Suyin with all her metal benders is as useful as rusted steel. Not to mention there is no meeting with delegates of other nations. It is true that Zuko and others shouldn’t just invade another country (because invasion is as anarchic as it sounds; it usually makes things worse. People get displaced because raiding and arresting many cities and structures happen mostly alongside of that) but with all their fame and council powers they can’t even talk or help Ba Sin Se citizens? And what about Raiko too? All these rulers do mostly do things for themselves. They are more interested in trade and commerce than actyal equity amongst people. Nationalism was being properly maintained by even such a wide geographical span as the Earth Kingdom so if there are people like the Red Lotus it would make cultural sense and socially logical because none of these leaders help the non-thriving or the destitute. Republic City and Zao Fu are both quite prosperous but Ba Sing Se was like roadkill. As I mentioned in my previous article it was awful.
My friend and I agreed that by showing Ba Sing Se uprising as “bad” was a big slap on the face on protesters worldwide who stand for humanitarian and equity causes. Yes, it was violent but so was the French Revolution, you know the one that gave birth to modern day Western democracy and democratic legislation. They were suppressed people who were bereft of proper food, homes and also medical and social empowerment of course they would not be gentle and bovine when Hyou-Ting was assassinated. They would go stark mad or even start pillaging. They need assets so that they can have some comfort. Also this is a collective anger and resentment towards the system. They are breaking it by doing these wayward things. They will trash the palace even if some decide not to steal because they will not let the monolith to their suffering stand.
This goes into a discussion on the Red Lotus. It was obvious at the end that Zaheer was an agent of the Red Lotus, his commandeer of sorts but not its head. P’Li, Ghazan and Ming-Hua were equally in power as commandeers as him but they were still just a circuit or rather just a positioning of current affairs within the organization. It was clear that Zaheer is not the main leader and like any loyal agent he just did things with the ideologies he was handed down. And these ideologies or missions is all over the place like a bull going apeshit in a china house. Zaheer first admonishes order and says that the original state of the world is chaos (if one understands even some minor astronomy or mathematics they will know that our nascent or naive view of equilibrium is not how the universe works). It is designed to incorporate both chaos (as in astral bodies hurling amongst each other and supernovae and hypernovae and pulsars and all that hard-boiled ionic bonding and radiation is happening and by God that is the tempo it is designed) and order — yet of course the magnitude in which these are overridden and synthesized it feels pretty chaotic and out of order at how we look at it. So Zaheer is partly right about universe being “chaotic” however does that excuse his large-scale based plans? Not really because that level of “ordered riots” may actually dissolve the positive chaos that the world requires. Is that positive chaos present in all the current nations? No, it is not. Korra can revise laws and work to show solidarity amongst humans and spirits which was her entire reason for keeping spirit portals open which resulted in a great change and that was the return of the airbenders.
Yet when Zaheer captures Korra his ideology is that supreme rulers and nationality only severs human contacts and that people should be free of that kind of nationhood and just love, thrive and protect whom they love without any superficial allegiance hindering them to do so. Zaheer’s ideologies are not farfetched or bad. Yes, as I reiterate his methods are poor and stupid or rather the Red Lotus’s are. But this strengthening social ties and emotional ties doesn’t feel like extreme anarchy or chaos. It’s like the screenwriters had no idea what to define the Red Lotus with so like a headless chicken running around and sporting Kill Bill stylized blood all over the place we are left on both intellectual and personal scarcity. The viewers may be children but they are not dumbshits ok. Neither are the young adults and adults and so that is VERY POOR writing. Not to mention that Lahima’s void is like achieved by Zaheer via losing P’li. That was like putting Lahima, the airbender, as a pretty isolated and socially inept person. So to gain flight you must lose everything that is important to you? It is obvious that Zaheer loved P’li a lot. I would trust that his love is not limited on a temporal plane. So, yeah that makes no sense either. It was just lazy writing.
Change was good with the final two episodes. I liked that Jinora shaved her head and became an airbending master. Though personally I always like Aang and Zuko with hair. I mean the tattos don’t need to be hidden as they are strikingly present on the forehead. Jinora was looking like young Aang as she emerged as young master in the ceremony. This is the first time they had held such an inauguration for a master because last time even Katara did not have such an honour, nor did Sokka and Zuko’s one was less intense. I am happy they have decide to elevate another character so high alongside of the avatar as TLA hardly did that. If they had done this throughout the book I would consider it claiming fully its title name, but hadn’t so there is that. But Jonora seems happy to finally able to take on air nation responsibilities. She is the first air master as Tenzin and she has done all she can to deserve that title (now I guess its Bumi’s turn and the other kids):
One person ascends but another descends a bit. Korra is obviously broken. This Book showed a very psychological and physiological effect on Korra that Aang had faced when attacked by Azula all those years ago. I think people want to think this is Zaheer and the toxins fault. To me it is not really them. The poison has aggravated a situation already present from the time Korra had fought Amon. This is the culmination of all her weaknesses and shortcomings and anxieties amalgamated with the poison’s negative effects. Korra, like Aang but more potently, has realized that she cannot do everything as avatar or with that title. All her hot temper, all her bending and all her gusto can be translated into failures if she has spiritual board or innovative way to pull them together and make them flow. This season had another good point which was carefully fumbled in the fog of things, the interstices of different bendings. Like Suyin taking out the brunt of the poison in Korra as Jinora said tactfully that it was metallic and Suyin did it with liquid metal sort of prowess. Korra does need to learn alternative styles and subsets of bendings (Though Boilin is a lava bender I do want him to try metal bending next).
Her single tear, long and lingering, is both her relief that the Air Nomads have returned and also self-loathing for not being able to fend off for herself and do more than she could. Korra is deeply dissatisfied with herself. It is shown in her face. She is also angry that everyone wants to protect her now or criticize her or wants her as savior because I think she is realizing that she needs top travel and learn more subsets of bending maybe even new bending if necessary. You can see that she is annoyed even by her mother’s maternal affection. She is unable to walk and unable to feel happy. As fans has noticed she is clear VERY DEPRESSED. It is a long time coming PTSD. Culmination of all she faced. Aang also went through this period many times. First after Katara realizes he had abandoned his responsibilities and then when Azula was almost successful in killing him in avatar state. I hope in Book 4 they shows Korra rehabilitation process and if she will learn anything spiritual or rather will she be redefining what an avatar means?
All this time she has used and abused the avatar title and took some refuge or used it as a defense mechanism. Her fighting and conflicts has enabled her to realize that she cannot do that anymore. Her enemies or opponents are strong like her even if they can or cannot bend and she must, like Aang, involve her own self and originality and spirituality into being an avatar that is she not a tradition or a lineage or anything but just her. She needs to focus on what she can learn and also rethink on how she can help The Red Lotus by maybe administrating a new system that helps everyone. Yes, they are portrayed as terrorists and we can say their methodology is extreme but their concepts were tactile and decent and just. Korra must now balance these ideological with the remarkable people with her. She has lost a large chunk of her confidence. Which is good. Because that confidence was cockiness rooted in being an avatar and not understanding or learning new things. So, she can reconstruct for herself an identity and a strength that has more meaning and even reconstruct what it means to be an avatar in her time because she can physically fight all she wants but some battles need to be managed with spirit and dexterity and innovation.
Pretty much Season 3 was a whole pile of messes which only made some substantial things in its last scenes. It really had nothing going for it. I now just want to see Book 4 so that I can see how they make Korra convalesce and return to top form but both spiritually and mentally along with her physicality. In fact, if she learns how to fight without much bending that would be pretty neat too. Yet, that is the problem. I hardly know what half-baked plan these so-called creative team is on with. I guess, I have see it to find out.
P.S. I think Makorra is still canon which is another good thing.
The first time I was watching Legend of Korra Book One I was really thrilled. A female, muscular, taller probably kick-ass avatar — yeah that’s cool! Sign me up!
That was then.
Book One had a lot going for it but the mettle to the crucial spine of the series was suffering a dry spell in creative development and persistence in that development. I am not going to compare this series to Avatar: The Last Airbender/Legend Of Aang but I know some points I should. In ATLA there were vast paces to character growth and really beautiful martial arts, accompanied with great themes and not to mention even distinctive only one episode characters. ALOK lacks all of these — ALOT. Yes, it is fun. Yes I loved it in the series premier when Korra was so strong that she grabbbed a firebender and threw him into a shop window. Yes, I loved that she engaged with her love interest from the start. It made sense for young adults to be a bit more upfront about feelings at times. What I did know is that that is all this series was going to amount to.
There are so many flaws in the character of Korra. Yes, I watch the series. Yes, it has some good points and has some continuity but it lacks momentum and it lacks ideas. It has some good originality I will give it that. But it horribly suffers in execution not to mention that Korra is, to some extents, a misogynistic character. She was supposed to be the opposite of Aang that means she was to be more physically inclined than Aang but as Aang I thought that she would, by the end of the penultimate book, learn to be more of a spiritual person. In fact, all of her major challenges and enemies literally challenged her spirit. Her avatar spirit, her own Korra spirit and all that lay between it. I thought she would be matured by now. Instead, she has reverted back to a silly, non-wise, elitist Korra of Book One. Yes, while it may be Book Three Korra has shed the intensity and her wide level of thinking that she acquired in Book Two. Basically, she is being masqueraded as a beautiful muscular air-head. Her physicality is so focused on that I feel it getting on my nerves. A man or woman does not need to have social ideal body types to face sexism. Korra may be modeled after female wrestler types with a spiritual purpose but she is like wrestlers only a visual performance as one critique in Tumblr had pointed out.
Not to mention that Season Three is a pile of messed up garbage in terms of plot execution and even a ready base for the antagonist who has been denatured into just the stereotype mustached villain of old. After Season Two I was expecting more solid bodied and spiritual discourses in the series. Instead we got cheap villains who have a very weak goal and not to mention they are already labelled by fans as terrorists even before they did much because that is how freaking cliched this season is. Amon made you think and so did Unalaq. The Red Lotus have no strength and even their ideology has feels like a child’s endgame. Not to mention naming Zaheer the antagonist an Middle Eastern Arabic and pretty much a Muslim name is very, VERY RACIST.
His other teammates names are also rooted in other religions that are not necessarily Eastern but half Asian or Central Asian origins. They are far more exoticized than the other characters. This Red Lotus wants anarchy. They believe that the White Lotus are fools (to a large extent they are right) for becoming mercenaries rather than do what their original creed and code was. They hate the way some of the leaders run things and mentions even corrupt leaders such as the Earth Queen Hyou-Ting and President of Republic City Raiko who have truthfully failed their citizens. They want to assassinate them. Korra at first tries reasoning with Zaheer saying that he has spirituality and that as a new Airbender he can really help the world. However, Zaheer is adamant. Korra gives up too easily. Zaheer quotes one line by Guru Lahima who is a guy that Zaheer really liked and was an Airbender too and she just shuts up. Freezes actually. I mean, she doesn’t even try. She has seen the hierarchical destruction of Ba Sing Se by the Earth Queen and yet she doesn’t even figure that because of such stern cases of oppression Zaheer may have become attuned to a society without systems. She may be the avatar but she hasn’t seen Ba Sing Se before and known its actual socio-cultural climate. Zaheer does ironically have more experience. Neither did Mako and Boilin who realised, amidst the slums and poverty, that their father may have left the city due to the structured chaos and inequality present in its “rings” like society. Where the upper ring holds the Queen’s court and is surrounded by opulence, by triviality and corruption where food is plenty and not shared with the citizens (in fact when they meet their cousin hawking food it is distinct due to its spoiled and un-fresh character; the food is rotten. French Revolution anyone?). So by trivializing this scene, making it only a comedy and no social conscionability held you are actually making fun of democracy and of people’s right to eat. And ALOK is supposed to be a children’s show originally? It fails as a children’s show and it thinks that young adults are a bunch of dummies smitten only to graphically exoticism and visual pornography. It is low and very patronizing to think that about your viewers especially their fandom and their interests has been catalyst to many decisions you made. So, 1984 defined: television being a cataract and vibe to propagandist modes to even influence in a show that is meant to persevere righteousness and social balance? Yes ALOK becomes like Big Brother silencing the masses to ever question teaching children that questioning or even finding a middle ground between two oppositions is socially and even ethically wrong? Dubbing any dissenters as “terrorists” and then when seeing that fan reaction to the Red Lotus was so favourable that you have Zaheer perform assassination and make hostages out of innocent Airbenders. It feels they are forcing him to be very orthodox old age random villain stuff. They are coercing us to hate Zaheer more potently than we should. It feels very like mechanically done. I have only disinterest in him. The guy is written boringly.
So, anarchy is that? Does even an amount or paucity of research go into ALOK? I use paucity because the research of this topic feels non-existent. The villain, reduced to some bad gestures, is an archetype that in a semi-postmodernist era of television or even on a postmodernist scale that most innovative writers and shows are attempting to debunk, to leave leaving that cocoon and just attempting to transport and do a small journey if necessary. Neither does Zaheer or any of his teammates have this. Unfortunately, neither does Korra. Her narrative is very feminine oriented. Wanna know how? Aang has a chance of growing and thus his growth getting stunted is a very chauvinistic philosophy if it’s only applied to males. Thankfully, Thank God literally, that they made characters like Toph who also grown a lot in the series. But yes in ATLA the major characters growing were mostly male. Here there is a female narrative of losing already established power. Which in itself is not misogynistic but I fear that it has a misogynistic and misandrist portrayal. Korra is always defined as an avatar. Unlike Aang who is a person other than an avatar Korra can only ever be an avatar. It feels suffocating that Korra is always declaring that she is an avatar in the lineage of bending and that she can do this and she can do that. Best part of Aang was that he was physically a terrible avatar, (I think Korra may have a larger height than Aang in her full mid 40s adult self like Kiyoshi) as in aside airbending he sucked at other types of bending which was a promising concept. Korra did make really marvelous progress in bending in that she learned very early energy bending and then spirit bending which Aang did not most probably know. But Aang had different aspects to him as a person; he grew up as a person and also as the avatar. Korra’s growth is stunted and in a orthodox, sexualized, male-gaze oriented feminine way she is only trying to save the little shards of avatar-ness that she possesses that makes no sense.
Korra is reluctant to grow beyond “avatar-ness” in fact she bases her entire existence only to that role alone and that is a very reductionist and sexist way of reading a woman. Women are not only titles or only vessels for power; for God’s sake Korra is treated as that. Very archaic and arcane methodology of viewing women is established to formulate her. It is pitiful that a strong female character protagonist is being homogenized into nothing but muscle and athlete pornography. Not to exclude that Asami, the other female character in the show, and a nonbender is totally sexualized. I do not remember Sokka meeting such treatment nor was he reduced to a bimbo in ATLA. In fact, Sokka was a very strong character. They are only scratching Asami on the surface of her inventiveness, technical and technological knowledge and dexterity to provide creative solutions. I love her unwavering loyalty to her friends and her ability to not be a begrudged youth or scorned women but these narratives are hardly explored because Asami is always a frivolous depiction of some Fire Nation beauty (it seems she has Fire Nation roots as both Sokka and Katara were Water Tribe Warriors, my bro always called Sokka a Water Warrior). None of other things about Asami is shown. Not to mention that Sokka is a very humane and human character who learns to be an able warrior for his people and the cause; he proves the essential need of nonbenders as much as Ty-Lee and Mei, and Suki had shown in the first show as they have different methods and valuable tactics of fighting. Asami is just stereotyped as the beauty and mitigated as the forlorn princess of a once rich corporation; add more layers and you make her Blanche from A Streetcar named Desire and have her go insane in the end. Not to mention in Season Two she appropriated a Civil War in a nonchalant business tone on her corporation getting saved (sound familiar, isn’t this what corporations are criticised for aren’t they?). This transaction way of looking at war and not caring about lives is a problem of the modern age and instead of compassion and love that is displayed by Sokka, Asami acts as ruthless as Amon in what she thinks is delivering justice. A friend even mentions that Asami must relegate her “Oh, I am daughter of a rich father” mentality and go on with her life. She is not merely future industries heir she is her own person and can make her own judgments. If she even scraps up the company to build another she can if she feels her father has already tainted the principalities it use to first employ. This show focuses too much on blood and secular lineages that have no bearing and only builds up the status quo of inequality and malformed individuality, and individual collective.
Not to mention that Boilin and Mako too have no chance of growing besides chauvinist archetypes of The Casanova and The Fool. A fan had mentioned that Boilin is too reduced as a comic relief and that it makes no sense to do so and I totally agree. You already have Varrick as a comic relief and the pet Pabu you don’t need to make a main character constantly be a comic relief. Boilin singularity is that he is The Fool and he played this card even in Season Three. In Season Two he reconciled with an abusive girlfriend without even critiquing that her possessiveness and superiority complex is neither charming nor helping her as a person. Boilin is always falling in love and rarely having fun in his love affairs. Mako on the other hand is known only as a dating agent, like a detergent. His singularity is that he is Korra’s boyfriend or Asami’s one time boyfriend and love interest. Frankly, he is only known to be The Casanova. Such misandrist portrayal of a young, sensitive man is highly crap. Like really sexist. Mako clearly has his own dimensions too. The only title graduation he had is being with police and becoming detective. I was like what about his personal journey? Doesn’t he have other goals? Katara did and so did Sokka. Boilin got some time as Nuptuk and that was important but Mako hardly does anything by himself. We see him doing that in Season Two a bit investigating Verrick but he hardly keeps it up when he just ups and down kisses Asami. So basically this guy can only think with his dick? It is true I like MaKorra and that I really want them to be together but this is just plain ridiculous! Why are Mako and Boilin so silly? So completely non-growing? All these writings on them are truly very limited.
I digressed with normal critique to further extrapolate the banality of Season Three. Korra is still a muscle-head, preferring to always take physical action rather than sorting out things in a non-linear holistic way that challenges her character and even her physicality. This is what Season Two exemplified that mere muscles alone cannot defeat spirits as she even lost in avatar state enabled. Season Three started with such promise of having her fight both physically and spiritually, mentally even because the Air Nation is not going to be rebuilt on brute force alone it needs ingenuity and also a large amount of spirit and dedication to do so. Korra must also attune to herself as having no avatar state which is very beautifully challenging. It always introspection and an innovative that even rivals and surpasses Aang’s progress. Instead Korra bemoans like a drama queen whore left, right and center of having no avatar state and skillfully dismissing time to ruminate and also gain referential or even observation-based knowledge about the world. In her ordinariness now she can better communicate with the people and feel what they feel. None of this connection is shown. Korra immediately faces physical dangers that she can somewhat overpower. Her only physical challenge is that she had to learn metal bending (and chastise Mako for hurrying her as a fugitive escaped because she was still a noob at it which doesn’t add much really). Zaheer and the others are so scatterbrained that they hardly pose as credible foes. Like Wile Coyote they make randomized, nonsense violent gestures without much speculation at what the hell they are doing. For a pseudo-wise guy Zaheer surely is an ignoramus and his girlfriend P’Li, his comrades Ming-Hua and Ghazan are equally ignoramus with him. Apparently I got this from Korraspirit in tumblr but guru Lahima’s quote was this:
I was once asked what it means to enter the void. I will tell you. An airbender may meditate for a hundred years trying to detach herself from the world, but she cannot do it. Humans cherish human life, and by that they are bound to this world. The only way to abandon the world is to abandon one’s humanity. New growth cannot exist without first the destruction of the old. The void is found in the sowing of death. From that death springs life on the wind.
I do not understand how he quotes in brief and also have a girlfriend and just think that disorder is order when Lahima just does not care about humanity in general. Lahima is like a very orthodox or fanatical ascetic who is probably angry at something and mouthing that off. It makes no sense to even think he presupposes anarchy because anarchy itself is so human and he doesn’t care about this and does Zaheer even understand this. It is just very perplexing that Zaheer will just say one line of this to Korra (which I emboldened) and have Korra, even a layman in Lahima studies, not even question that an air nomad may not have meant such a thing as they are very centered and spiritual people like the Water Tribe (more corporeal clans are Earth and Fire in this universe from my understanding). And that maybe he means at the end of one’s life one has to shed his or her humanity as in his human skin but they are still human spirits as Iroh. Another study may show that Lahima may have been upset living as an Air Nomad and must have become a bit angry at the cloistered way many air nomads lived and he felt that it rejected humanity in many ways because many criticise asceticism, its severity as deprivation so he could have just been reflecting on that. Korra has no knowledge of both present or past histories of socio-cultural conduct so she cannot even evaluate the statement Zaheer made. It is a shame really that Korra cannot even ask Tenzin or someone close to him that why an airbender would say this as an airbender has inspired Zaheer and that says a lot. No, that narrative is excluded too. It feels painfully like a betrayal when the inventors of a show presume that we are so dumb to just swallow any crap they give. It feels like we are the daft emperor who are given “clothes” and wear the masterpiece of nothingness and expose raw idiocy. I think the show creators take us for that. It makes no sense. Any of it. A friend and I agreed that this the worst season of Avatar ever both combining ALOK and ATLA and that it spews out stupidity is quite apparent. The weakening of characters and story is a travesty to a potential richness this story has.
I still watch it hoping for changes and just watching. I am not so interested in it anymore. I am just curious on how this train wreck will end. I think the show cannot write or handle female protagonists and is just waiting for this ALOK to end so that they can get a guy avatar to come back. After all these narratives are so chauvinistically handled that in this day and age you feel insulted to see that your personhood regardless you are a man or woman has become reduced to this crap. They can make another female avatar who is fire or earth based I actually want to see them do that. Make the next avatar a girl too and that would be interesting and if they can make it multidimensional like ATLA it would be great. But then again these cultural politics have little merit to discuss things. They just want to do stuff that hardly makes sense or even culturally, psychologically, sociologically and individually satisfying or engaging. They want to marry cliches, overused stereotypes and go along with whatever garbage handed to them to preserve status quo. To preserve totalitarian ideologies and do stuff that makes no sense.
ALOK has bombed this season. They want to make it out alive they must rethink and add layers to a potentially rich story.
Well, the summer got pretty interesting. First of all I was watching the miniature movie/film that serve as part prequels or retelling of Ghost in the Shell which some say is a prelude to the entire Stand Alone Complex series but there are some narrative discrepancies so I am not sure if this is totally attached. However, as I read the design specs follows Matoko as she was in the fantastic movie that debuted her to the world and inspired the matrix. Ghost in the Shell; Arise (as it is called) however, despite the good story line I feel that emotive Matoko whose eyes and lips talked so poetically is not really present. The Ghost in the Shell movie was both a cinematic artistic treat and had such emotional depth. I know it is unfair comparing it with a predecessor but I love when Matoko goes into those “ghost moments” where we see her as both fighter but also philosopher and a semanticist/semiologist attempting to crack down the mythos and meat of her cybernative driven world. And as usual there are avatars or visual, stylistic, impressions of “the puppet master” which may seem old but they do try to put variations on the idea.
I think the flaw with the series is that as it does specialise with “ghost” crimes it needs to be more broad spectrum rather than just ghost hacking or some other things related to it. There is a whole back story of World Wars IV and V I think which were non-nuclear wars that could be explored. Also some parts of Matoko’s origins have drastically changed from that special episode in 2nd Gig where Matoko cybernetic body was given its full address (and also the origin story of another important character). Well, that was rehashed. I am not so pleased and my opinions may be totally subjective but their credence lies on how it lessens to an extent the sort of complex activities, pains, complications and hardship not to mention discipline and experience that God given endurance made Matoko such a more spectacular person who I came to respect more. Though this origin story also highlights on a complex hardship it mitigates the higher details I mean they could have shown the pain with more volatility. Parts of it was shown and here is spoiler information because Matoko was orphaned after a plane crash and her fetal body deemed unable to survive, as her mother was dead, during the period she was alive they did a procedure that transported her nascent mind and brain into a small cyber-brain making her efficiently more or less a born cyborg never having a moment when her body was 100% flesh and this to a high degree does upset and disturb her; not to mention that made her body as all the other cyborgs in the military, or I am guessing that people with that amount of cybernisation become soldiers, inclined to buy out their cards from the army meaning that they are slaves and property to the army until they can buy their freedom or otherwise stated. Matoko’s army division due to international jurisprudence and current wars, being that the war has just recently ended, is comprised of people who are both Japanese and not. There are a few Americans in her division like her commanding officer Colonel Kurtz. Thus the army profiteers from cyber slavery and slavery in general which is pretty much what mass capitalism or mass socialism equipped with consumerism does to people with its neo-liberal oligarchic elites making lives the center of business affairs. In fact, the cyborgs are made to live in a compound and any unauthorized leave even beyond a fence is considered worthy of immense corporal punishment and you see it happen to Matoko. Matoko is so imprisoned that she is given horrible shocks even if she attempts to take out money from her ATM without her army board’s authorization. End of spoiler and well continuing.
The other flaws is that it should provide more non-tactical scenarios with Matoko and her team. They do this with other people from time to time but it would nice to see Matoko interact with a 100% humanoid even one without a cyber-brain so that we can how the dialogue and interaction changes and varies or is cemented; how empathy is gestured and forged. They did do this with Arise where Matoko looks at other cyborgs at times; however I will say that the beautiful panoramic way they did this in the first movie is somewhat missing. You may have the technology now for finer cells but for some reason the vintage like prints of that old movie had more a organic fiber to it than these too sleek and smooth cells. They actually hinder Matoko’s body language to an extent I think; emotive, quiet scenes of Matoko rumination or feeling she is nowhere near the actual looking glass feels more attributing to a masterpiece. I do like that Matoko is not so sexualized in this series as she wasn’t with the first movie. Matoko Kusanagi is like all humans a sexual being but her body despite its prosthesis is not a sexualised thing and this is a major distinction that was made in the episode Cash Eye from 2nd Gig because Matoko knows she is beautiful and has erotic appeal but she is an iron clad individual and her outfit in Arise is full fledged remark of that. It’s blood shade and features reminds us that she is a glossy but flesh and fluid human not a synthoid of pleasure. Matoko’s face and body are now normal; she is attractive but not so voluptuous I do not mind voluptuous but I do mind if that becomes center stage and not Matoko as a person. She is actually a bit more athletic and sleeker now given her military background and that is more appropriate to the context involved. We also learn a very important thing which I do not understand but may have later been added or will later change Section 9 is not only Matoko’s team, Matoko’s team is just like an addendum to Section 9 or this is how Arise makes it. This somewhat confused me because Section 9 unlike the other sections is small, pretty much covert and very specialised it is not like conspicuous or large like Section 1.
Aside this, from my recent review, you know that I watching Free! Eternal Summer compared to Ghost in the Shell it’s like comparing a small toy car to the Formula One event of sorts. But hey I like toys if they are fluffy and also cool and I already watched up to episode 3 of the second TV series. It is going phenomenally good? Compared to episodes 1 and 2 I wasn’t impressed with 3 though episode 3 had its moments and made a very good character development just its pacing and its techniques felt a bit sluggish though as usual its animation was top notch. This is also an episode where direct shounen-ai or yaoi was referenced by Gou so it was nice I liked it and you know that this anime does not mind that though as usual as its not totally a shounen-ai anime (yes, trust me it does have other slices of life things going for it and the way it positions itself it has more teaser elements so its partly not a total shounen-ai fair) we do have characters offering an alternative perspective. I actually want Haruka to get with Gou. I liked this from the first season. Something about them really clicks. I don’t know maybe it’s that Gou understands alot about Haruka at times I feel she gets him a bit better than Rin (Think Harry/Luna from Harry Potter) and they have such quiet but intense conversations at times. Like asking really important questions. And I know this may sound a bit bad to some but I am craving a bit of Het I am. I mean I like variety and I want genuine Het in this show too because the way things are Haruka looks like a character that swings both ways (personality wise he is a more mature version of Kaeda Rukawa; yes I said it. As Slam Dunk focused on Hanamichi we never got real vignettes of Kaeda and I think if Kaeda was alone he would act a bit like Haruka he already does with his off-handed sleeping but Haruka is not as competitive or single minded as Kaeda as in he is surprisingly more flexible and inclusive) and he and Rin, as this Youtube reviewer noticed expertly (forgot his channel) that like Rin Haruka has also matured and also developing. Of all the characters in the show I will say that personality wise Makoto is the most matured and developed. Truly, for a young man he is already acting like a full fledged adult. I want to see Haruka in more expressive situations like anger, hurt or even an emotional carthesis. I mean like “Don’t go Gou-kun!” though like Gou he hates honourifics like that tehe.
I got to know from the Youtuber EmergencyAwesome that Legend of Korra Book 3 Change came out and they are showing double episodes. I was really happy. Thank Allah! Woohoo! Got to watch. There are 7 episodes out and I am liking the concepts but as usual the energy of Book 2 is missing. The people in charge are getting lazy again. I was really disappointed in episodes 6 and 7 and I thought that their magnitude sucked and I see this book is beginning to have an elitist flare that The Last Airbender lacked. This world is very bender focused and many people are benders but Amon did ask a good question why are non-benders treated unfairly and are not given opportunities. I am finding that the directors and storytellers are being very remote on the socio-politics of the show introduced in Season One. Some are being addressed. At one point Korra is asked what she thinks of government systems and colonization is also very nicely added as before. Earth Kingdom territory was used to make Republic City which is the hub for people of all nations but not many people are happy about that and that is somewhat understandable seeing that Aang had a hand it in makes power politics be highlighted a bit. Korra, unfortunately, is even at one point seeing that. Though Tenzin makes very weak observations and so does Korra. People are a bit angry at Korra at her decisions which is viable but Tenzin tells her not to worry too much on their everyday complaints. I was like why not? They are people and they have a right to question her or their leaders but at the same time Korra is doing a poor job helping out. I am angered that such delicate issues are being rushed. I am happy that Legend of Korra has more modern realistic elements and themes compared with The Last Airbender because that series elucidated bending more this one elucidates how life is with or without it.I was also not impressed at how despite people not being coerced or apparently not to make choices they are herded out to do so (more on that later) I am impressed by Asami in this season because she is more of a flexible and nimble fighter than Korra. Korra’s martial arts need polishing so does Mako’s and others because they rely too much on their bending. These things need a separate post.
I also saw Justice League: The Flashpoint Paradox it was really good. I am really happy that they focused on how serious and noble Flash is. We usually see Flash
as a jokester and a half mature person. In this installment he was so refined that he even inspires Batman. I guess I did miss his jokes a bit. Yet I was impressed by how they built his character. Full endurance he takes really massive beatings and really takes a heap of torture; psychologically, emotionally and physically. I started to respect his character more. Not to mention this Justice League features violence, blood, swearing gay references which were all huge. It also criticizes all A list countries for their knack and passion to make wars as easily as they can bump uglies in a dilapidated alley. By the end of the feature I think I started loving Barry Allen. I mean he is a very credible DC hero and I am happy that this film gave him the scope and matter to prove that he was one. I also was impressed by Lois Lane because in this film they showed how many ordinary non-super powered humans are very endurable and very resilient and strong. The non-supers have an equal and able place and I think its about time that these stories show that. Realistic stories have to have that. Hey even melting clocks in The Persistence of Memory of Dali’s had something very real: clocks. Overall I really loved this movie. It’s only flaws I would say is that DC’s animation style needs revisions and very good ones. Their male characters look like steroid spans not people; yes muscular but they also need to look attractive for viewers as in faces. This film is more of a body thing even with its female characters except Lois Lane I don’t think many looked that great yeah Diane looked like her artist make her have a lazy face. I don’t want high cheekbones what I want is variety and relatable faces and bodies of people.
I have been a fan of Transformers since Gen 1 which means the animated 80s franchise. I easily loved Optimus Prime and had a big crush on him as a kid which is still pretty salient I must say. Did I think the Transformers trilogy was very good? It was decent enough and it was enjoyable to watch. In the 3 movies we were shown an array of Autobots and Decepticons with some meat to their metal (aside Optimus): Starscream, Lazerbeak, Bumbledee, Ironhide, Rachet, etcetera.
What did I think there was going to an overhaul in the characters? At first I thought it was a reboot because many franchises nowadays love that. Just rehash. Like some website overhaul. When I saw Mark Wahlberg I thought ok maybe it is an entirely different transformer story. To some extent that is correct. It is a part-reboot but essentially some mythos has been very changed. Top antagonists have changed which is good because Megatron is so common a foe it is understandable that you want to do something out of the box.
CGI wise this film has great components. The bottle green shade of one of the new Autobots is beautifully reflected and so is the Shogun apparel of another. Lockdown, our main protagonist, has an impressive ship and thats very nicely detailed. Optimus now has a bit of a grungier look and that suits the mode of the film. Before they showed him a lot in van mode but one good thing on this film is that they featured him more sans vehicle and more Autobot individual with a very gothic-vintage armour that really spoke out what the film is going for: personalization of the Transformers as entities not as transportation vehicles that humans ride in. They are individuals.
Did the movie succeed in pulling all of those components?
Not a damn way. Unless Bay wanted that to be the case. Maybe, this film is satirical. If that;s the case I am impressed and this succeeds.
Transformers 4 is so bad compared to Dark of the Moon that I am really disappointed. Dark of the Moon was so good in its genre that I can still watch it today with much gusto but this movie can be summed up only as one sentence: CGI wet dream.
Sure, it had a lot of potential and things that make it partly rewatchable like the graphics and if you are a fan like me (you might want to watch again for fun) but as a whole it was kind of a torture. I remember that after 40 minutes by excitement shriveled like a hot air balloon about to pop or just howl away. It does have potential but it many ways it was ruthlessly, as one reviewer stated, lazy. Plain lazy. You can see it in the narratives that put it up there.
I actually got angry at Optimus Prime portrayal I felt that he has a major character assassination. From a heroic person he became miserable and grouchy which I could connect with at first, however, then it just got boring. It didn’t feel organic enough and it felt more like this scaler steel that was talking and doing things rather than Optimus and I was disappointed.
The humans are very one dimensional and are so “inhuman” as in they are caricatures that I felt that they were just meat adhesives to the plot over all this movie gets a D- or E because of its lazy narrative and its uncompelling plot circus that just got drafted inti the CGI. It feels more like a workshop draft than something that is a movie; like some filler for some animation specs. I wonder what Bay was thinking when he was doing all this. It really is so badly written that even I can rewrite a better script.
Now I will go bit by bit on what I feel is wrong with this movie.