I saw Dramatical Murder in 2014 when it was run. I actually don’t mind the anime I think it was a good enough adaptation you can get to a graphic BL video game. Well, the bad endings in these VNs are like really really BAD. For DM they actually had a side OVA called Data XX transitory which showed some of the graphic disturbing depth of the VN’s bad routes. I am happy that in the anime, however, that OVA shows how devastated Aoba is when Clear hurts him (the limbs and stuff reminds you of Kau from Togainu no Chi and also Akira in that route) and how horrified he is of Virus and Trip. I mean ironically Aoba’s personality is intact in Data XX transitory as he does not enjoy being manhandled by all these sadomasochistic motherfuckers. I love how Aoba can be resistant and strong. I feel if Aoba was written a bit differently he can play a lot of different roles and route. I wanna see “seme” Aoba or “vers” Aoba that would be so cool😀
This is review number three hundred and sixty six. This anime is part of the Summer 2014 lineup. The anime I’ll be reviewing is called Dramatical Murder. It’s a twelve episode anime about a guy having sex with a lot of people. Well, not really but he did in the game. Anyways, let’s read on.
I actually believe that Shougo Makishima is a more interesting character, more defined character than Shinya Kougami. It’s true that Kougami is the hero and this is one of the shows where the hero and the protagonist are somewhat bifurcated. If you think on Akane is the pure protagonist of the show. It is how she also relates to these two me is what the show is all about. And this is important.
Going back to Shougo or Shogo (whichever way it is romanticised to English) someone in the original poster’s comments said because Shogo is seduced by the macabre and really disturbing crimes and behaviours of human beings he is the embodiment of sin and evil, thus the devil fused with the temptress. I actually cannot concur with this reading.
I responded that in a society like Sybil’s where everything is so clinical, sanitized and homogenized into colours and psychic profiles (including how no one can even enjoy any foreign exports) Makishima fetishizing the volatile and profane parts of humanity is only natural to the context/circumstances he is in. Even the writer of the show that in any other normalised society somewhat like our own, despite its flaws, Makishima may have worked productively and lived a normal life thus we cannot judge him so easily.
It is true that I do not really like what Makishima does. His tendency to be cruel and murderous is almost like self-flagellation because he cannot for the life of him understand why his heinous crimes are not read by the dominator or by Sybil’s crime coefficient systems. It is as though he is breaking the construction of humanity to be “more human” — of course that is a contestable philosophy but as also this article shown in a society where thoughts, speech, discussions and even philosophical things are not at all examined it would be very hard for a person like Shogo to live. Not to mention he too wanted vengeance on this society that made him less human, never acknowledged him and then expected him to sing its praises.
Shogo may have chosen exile or exodus but that wouldn’t solve his case, as the way he saw it: he saw Sybil as a curse and a pestilence and he wanted to destroy it or show people how horrible it was. And Sybil is pretty dehumanising. See how it treats its even potential criminals. No one can even express normal rage or jealousy without getting imprisoned. Akane is as Shogo than she also realises. In fact, I thought Akane was the next step of evolution of their reading of the cyano meters. Because hers bounces and goes back to normal like a pendulum. Meaning she is not static so she is not asymptomatic but she is a ripple that is able to be flexible about many things.
Akane is the grey area, she is the balance between Shogo and Shinya and I think both of them somewhat know this too. Both of them has shown various levels of attraction towards her: that goes borderline romantic to almost full romantic to an affection and admiration unrivalled.
In many ways Akane does the things Shogo does but she does them with the weight and scales of both order and also chaos in check; she is the like the spirit of both justice and wisdom. While Shogo and Shinya does extremes Akane knows how to calibrate her emotions and actions well enough to not go to extremes.
In the end if Shogo and Shinya are the ships meeting each other in the darkness of the night Akane is the whale that they know shows their connection to a spirituality both greater themselves and also in themselves; Akane makes organic and is the reified organism of balance. And if the series acknowledged this a bit more the interactions both of these guys had with her, as in the anime Revolutionary Girl Utena how Utena the balance prince is interacted with, the results would have been particularly interesting.
Psycho-Pass stands as one of the greatest shows to come out among the recent seasons. I say this despite having read several reviews claiming it to be an average show. No doubt the current philosophy which advocates greater government control and regulation in people’s lives is partially to blame for such poor reviews of the series. For example, my brother has told me of people reading Huxley’s A Brave New World raving about the perfect society therein. Of course, one may argue that my own political philosophy of liberty under the law and limited government make me blind to how much happier people could be under the totalitarian systems of both A Brave New World and Psycho-Pass.
At any rate, before I consider Shogo Makishima’s merits and demerits, let me delineate the deficiencies of the society in which he lives. First, it limits the freedom of what kind of…
I don’t understand the weird hatred that some people have for Mako. It makes no sense to me for people to be profiling Mako against ex-boyfriends who have abused them. Understandably, Mako has flaws but he has never been an abusive character, neither to Asami nor Korra. Treating Mako as a paragon of the perfect boyfriend is reducing his character. Mako is not meant to always be a perfect boyfriend; he is meant to be a perfect love. Which Mako actually succeeds in doing. Mako is a character: three dimensionally, he isn’t only supposed to be only be a love interest and that what made his and Korra’s relationship so interesting. They were both characters in their own right trying to make it work. And it succeeds and succeeds on many levels.
I think people are not addressing something that is extremely important. Korra and Mako are not “perfect” boyfriend and girlfriend. Not in the traditional sense anyway. Mako was made to mature before his adulthood so he has certain needs and styles of showing affection that is pretty non-generic. In fact, Korra, due to growing up mostly alone, is not really indoctrinated to popular social cues in the dating game herself. This allows an esoteric dialogue between them. One must not always look at a character as a reflection of themselves or what they would do. It can’t really be valid because of differing circumstances. I mean, Korra didn’t plan to kiss Mako beforehand neither did Mako plan prematurely to return her kiss in a full-fledged way. It happened for other circumstances.
The relationship had some mature circumstances thrown at it. It isn’t fully a standard teen romance and that is why Makorra shined. For example, Mako said it made “more sense” to be with Asami. This attitude clearly showed that like many people Mako thought that dating Asami would be prudent because Asami is, ironically, the “perfect girlfriend.” Asami is the person you can’t really be gut-wrenchingly honest with, if you are a person like Mako, because Asami behaved like a socialite. Mako aspires to be like her: content, confident and secure. However, you will notice that Mako easily opens up to Korra because Korra and Mako challenge each other and can easily be comfortable with each other. This may be intimidating at first to a person in Mako’s position who has faced so many hardships in life that reservation has become second skin and instinct to him at first. Then when Korra got kidnapped Mako realised what was really important was Korra and that confidence, security and contentment would easily follow if he is honest with himself.
Mako’s “crimes” against Asami are also something that young people, of all genders and sexes, accidentally do, it is not innately an evil trait that makes him inevitably a cheating low-life. Despite Book 2 I saw Makorra as a real substantial relationship that had real complex issues involved in it. That is why I loved it. Mako evaluated Korra’s actions and Korra evaluated his which is what true loves actually happen to do. You evaluate to make them better; the best they can be. Mako, as Korra, had some real true complications. Raiko cornered Mako into confessing about Korra but this was not really exacerbated by him from the get-go not finding Korra’s United Forces recruitment a prudent idea. Mako was essentially right. We know with experiences with Aang that Katara was his natural council and that he did less than wise things too out of being rather emotionally hyperactive or too invested. Katara was not always agreeing with Aang, in fact, in one of the most important journeys of Katara’s life Aang refused to join saying that she should forgive her mother’s murderer. Of course, I loved Zutara better because I think Zuko may understand Katara in some cases better but after much thought I must say that Aang was wiser here. Yes, Katara didn’t forgive the man but she couldn’t kill him either. Killing isn’t in Katara’s nature and Aang instinctively knew that. Like Mako instinctively understood that in her zeal to fix things as the avatar Korra forgets about repercussions about her actions. This was the first thing that happened in Republic City when she arrived. Korra went overboard with the Triple Threats making Lin question her tactics.
Where Aang does not engage in action and can pretty much be passive in his avatar duties (while more prudent in his interpersonal relationships) Korra is the antithesis. Katara gave advice to Aang to be more an engaged avatar while Mako gives advice to Korra to not be an overzealous one. I think both relationship types matter and both are full realised characters in their own right due to be able to do something like that. Mako and Katara are not merely cheerleaders. They have the capacity to understand and judge things via a rubric of their own values and ideas which are consistent with the avatars they know but they do think a bit more ahead at times.
In relation with Asami, she is the perfect girlfriend, as in socially she is. She does all the socially right things. But she doesn’t really know people deeply or innately enough to have a bond with them. I mean you will notice Asami is generally nice to everyone like in a way it was Mako’s reservation to everyone just opposite tandem. But she doesn’t really ask Mako much things or even Korra. Like she never does ask what Korra did when she was away all these years even when in the garden having tea and she never asks Mako in the carriage what it must have been like to be alone and fend for himself. She, just reaffirms her own feelings, says she feels safe with Mako and then later with Korra says that she would be unhappy if she didn’t come back after the last battle. Asami has this flaw but it was focused a lot more on Book 1 and by Book 4 well she isn’t really focused on much so it became a bit relegated but it’s still there.
So, Mako is not intrinsically a bad character. I think he has been give a bad hand and is always trying to play it well. I really respect a character who struggles through homelessness, poverty, bureaucracy, prejudices (due to his past criminal history), frustrations at being a good detective and not being able to play things out well and still care about people, care and empathize about the ones he loves and also work hard to become a more competent detective and person. Mako isn’t the socially perfect boyfriend: Mako is an all-around individual.
I actually posted a lot about this on Tumblr as fans are well, indignant or disappointed. Many are fans who are gay or who intensely love or ship gay pairings were offended by Bryan’s statement of “hetero-lens” due to its widespread spectrum implicit in the arena of homophobia. I, on the other hand, thought the comment was meh to me because it didn’t really feel I was in that category. This reviewer who has spent the majority of 2014 being indoctrinated into queer or even heteronormative homosexuality to the point that TPAB actually thought that all I watch is otome or queer animes is pretty much salient with the fact that I am/never was homophobic. I enjoyed some of the pairings in the otome show, saw potency in them and actually critiqued the execution of those shows.
I even wrote one of the longest reviews on this blog on critiquing and also praising Sekaiichi Hatsukoi which is a gay anime which pulled no punches. I really liked Queen’s Blade which is a lesbian anime, though a bit directed towards guys, had all the lesbianism, no holds barred, in its glory for the whole series. I loved Maria Watches Over Us which is a lesbian anime directed towards girls. I loved Cardcaptor Sakura and thought that Tomoyo loving Sakura or even Touya loving Yukito to be very well handled. I wanted Touya ending up with his teacher not because she was female but because I liked teacher-student pairings at that time but really hated the other character liking her teacher and marrying him after her high-school graduation though it was a totally heterosexual pairing. Because though it was not illegal it wasn’t to me tastefully written. I actually like Domoki liking Watanuki in xxxHolic and don’t like those other girls who fancy/like Watanuki aside Yuko Ichihara. And even that after layers of interactions and understandings comes about. One of my favourite anime, also directed towards girls is Revolutionary Girl Utena which shows Utena and Anthy as bisexual characters and mostly lesbians, full frontal, in the animated movie retelling Adolescence Apocalypse.
So, this opinion and article will articulate most of my feelings on the series and also on the pairings that survived. It will be long, span paragraphs and I decided after half-writing it I should also push this through some pages so please bear with me. Thank you if you read all throughout the way and Thank you for reading a bit. Honestly, this article took a long time to write — I was exposed to more material, got tired and procrastinated or cogitated a bit more. Yet I wanted this to be a comprehensive read of what I thought about Korra the series, the character and also Korrasami and Makorra. I will put briefly that I had higher hopes for the series but they were not met and as you will see this is more than any shipping or anything else.
It has to do with how TLA was handled and how LOK was handled: both are different shows and may deal with different things but have some core elements. It is the same way you might judge a reboot or even the different installments of the Final Fantasy series. It was mostly how LOK was writtenindependently in itself. How it was budget cut a lot by both Nick and how Bryke had many problems with Nick that eventual made this an internet only show that was also facing cancellations. So much so that Book 3 and Book 4 followed one after the other. Also, though I personally have nothing against Bryke I do think as writers and creators who were facing a lot of pressure that they did do some mistakes and mess up. Also Nick initially did not like that Korra was a girl and wanted her to be a guy because the Aang formula was pretty much potent still and in these series people for some stupid marketing reason and cultural biases want the main protagonist being a male and not female.
The TLA team was larger, had more writers and obviously many discussions amongst Bryke and those other people so many more ideas and expansions of concepts were apparently plausible and executed. Bryke originally wanted Toph and Azula to be guys and also wanted a love triangle between Katara, Aang and Toph so obviously that idea was scrapped by many others pitching in their ideas. Asami was initially also meant to be a villain I wouldn’t have minded if that happened because I think Spysami is pretty more interesting than thinly written Korrasami. Or, she may have been a double agent that would have proved volumes about her dexterity in general. Makorra was, as I read from Tumblr, described as the perfect pairing by Bryke themselves and how Korra and Mako were right for each other and “soulmates” — so I think Bryke’s Korrasami was done almost like a last minute thing. In fact, I don’t think they did away with Makorra either which is telling in the finale episode. I think they were confused at what to do really and thought that keeping both pairings open but focusing a bit more on Korrasami was the only thing they could do to “salvage” the series because before this finale many people had heavily, explicitly, inexorably critiqued Legend of Korra both critics and fans alike. So, LOK had a lot of problems since Book 1 that had to do and nothing to do with Makorra and pairings and stuff.
I won’t lie that I fast-forwarded to the last scene in LOK to see what happens because by this time I was kinda bored and wanted to know what happens to Korra and by Book 3 and 4 the hints of Makorra were pretty high I wanted to see if they patch up, after some time of course because some time even passed for Kataraang to happen. I was impressed with the spirit portal which became like the equatorial region of their world and that was awesome.I loved the last scene music and ambience but the pairing made me very unhappy because it was just too rushed and scatterbrained to be a beautiful buildup.
So to continue, though some fans of Makorra are homophobic; most of us aren’t. This is due to the fact we come to this show after years of watching anime shows from its infancy dealing with heteronormativity, queer sexualities (both straight and gay), performativity, and also the construction/reconstruction of identities. So, as most of us are in our late teens and twenties or even forties we are already nonplussed by homosexuality rather accepting it wholeheartedly as a romantic-sexual outcome. We have relegated our “hetero-lens” a long time ago even before The Legend of Korra or The Legend of Aang/The Last Airbender premiered. I have criticised Korra on numerous occasions and none of them were solely on ships. As listed below:
I am not partial. I have enjoyed gay pairings and straight pairings with equal zeal. I am not infected with “hetero-lens” — also I have accused Korrasami of a “hetero-lens” too. That one is that of heteronormativity. As a friend of mine stated gender or a critique of gender was not established in Korra. Korra is, as Anime Live Reactions put it eloquently, stereotyped as a strong woman/person of colour becoming bisexual and lesbian to validate her strong, “tomboy” existence. Asami’s sexuality has always been a game. She is a doll, a feminine debacle, and having Korra, a masculine, pair up with her reinforces a heteronormative way of looking at things. It essentialises that the avatar spirit is a “male” spirit with or without past lives because Wan, the first avatar, pretty much is shown to be in a relationship with Raava, a female spirit. Lesbianism, gayness or even straight-on heterosexuality is not about binary images but heteronormativity and performativity does reduce it to such.
Korra cannot be alone or be in a heterosexual relationship because that also incinerates the heteronormative way of looking at heterosexual relationships. Makorra ending in a bad note now encapsulates and also mediates on the fixation that strong men and women cannot mix. This stereotype is nothing new. If Mako and Korra could end better we would not point fingers at this rather Bolin and Korra’s chaotic end was foreseen on a lack of attraction on Korra’s part and even Bolin does not date Eska due to her domineering and inhospitable personality. Korra and Bolin are strong and do have chemistry but they end amicably, on good terms, there is hardly any name-calling and finger-pointing between them. Bolin does not ever bring up that Korra broke his heart by kissing her brother nor that he wanted Korra to apologise much because they went through things that allowed forgiveness and friendship to happen. Ironically, even Bolin and Eska’s breakup and later encounter seemed both comic but also reasonable and realistic. It was apparent that they both have considerably, without a doubt moved on. The way Mako and Korra interact are still as lovers even by the end of Book 4breakup or no breakup they just do, both context and subtext affirms it as a romance with mutually concerted feelings — it’s pretty confusing.
Yup, Ghost in the Shell is coming back again this year. Last year they did a loose retelling of The Stand Alone Complex series or even the series in general with Ghost in The Shell: Arise which actively explored Makoto’s army history and the beginning of Public Security Section 9 which is the paramilitary operations that handle tough to crack down cases, and also functions a bit differently than police or army. It is a median of sorts in a world where armed forces are as extreme as the terrorism or criminals they fight.
Arise episodes were long, as in feature length movie length, and reintroduced concepts from all the media related to the series. Arise was additionally noted to reintroduce Makoto’s original look from the ’95 (or ’96) movie with basic front bangs (not the curved ones) and a younger major. Her clothes also mimic the original movie but had some of the glossiness of The Stand Alone Complex series minus the overtly exotic or outre sexual look. Her original look is still pretty popular due to its classical imprint and it looks like it will be continued in the 2015 “retelling” of sorts of the original Ghost in the Shell. It is to mark 25 years of this innovative and philosophical anime that made it an international phenomenon with its still unique concepts of humanity, cybernetics, personhood and identity.
I am totally psyched to see this movie😀
(Below is the Anime News Network article)
(picture from Ain’t it Cool News http://www.aintitcool.com/node/69962)
With all the Korrasami and what not tags being interjected I decided I had pretty much had it with Legend of Korra. I was disappointed from Book 3 though I was suspect from the beginning. The way they treated Mako and Boilin was deplorable the way they treated Makorra was horrendous and then how they progressed Korra’s character was deplorable. All of these things were pretty stupid and so sexist (both for men and women) All I can say that I hope fanfictions come about that end these at the very end is one of the only partly unbiased write-ups I had read.
You can celebrate any ship and not celebrating it is not homophobic unless you actively declare that gay couples are bad or something — I don’t do that what I must state here is that this is preposterous and the perpetrators of bad writing and scapegoating a same-sex canon but also annoyingly allowing Makorra to continue is pretty much a bad move. I literally was like WTF? Guess what even I did see the signs I also saw signs of Borra. I saw Boilin like Korra a lot but Korra did not choose Boilin because Boilin is someone Korra can’t be personal with — Mako even till the end was a person Korra could rely on in battle and also in well psychological positions. Asami goes and helps gives Korra support as a cheerleader but she hardly does things to help her much. I mean even if Korrasami happened give it more than just her bring Korra tea (which is a good improvement i respect I admit that and also love, both platonic and romantic, because in Book 1 when Mako wants to give Korra tea she seethes and say bol it himself). Yet it is not so strong enough as Mako keeps on professing love to actually get going. I just feel no one cared about both relationships. As someone said online it is pseudo-lesbian though she was happy because no relationship straight and gay can happen with just flirtations ill scripted and nothing pretty much well fleshed. Many people would say that as it is a gay-ship it needed cover but even Katara and Aang had stronger non-verbal ways of romancing that people may not have deemed cool enough for a coupling. The potential was there but it was not nicely done as even subtle Makorra. In fact I wasn’t even thinking Makorra (though at first I loved them) when the first times Korra looked at the stadium and Mako looked at the island dotingly but that was a good nonverbal gesture they actually well made good use of. All I can say it’s not groundbreaking, it’s actually pretty gender normative and totally unfair to Asami.
All Korra can say is that she dated all the people on Team Avatar what a bunch of crap :/
Not to mention that she is dating the ex of her ex and what more is that Asami cannot also get out of this viscous love triangle and choose her own road. Pretty much pathetic.
It’s something official for me that Avatar people cannot for the life of them write satisfying romantic endings. First, they somewhat rushed Aang/Katara relationship then they hinted strong at Korrasami but also hinted Makorra. What I want to say is that none of this isgroundbreaking at all for anywhere. Please don’t flame hear me out. They just did to extend a novelty. They did this to make bandwagon people happy. Korra and Asami are so friendly with each other they have less chemistry than Korra did with Boilin. Also, by doing this they essentially showed how the avatar spirit is more or less a “male” spirit.
This sort of thing is frequent in yaoi literature. Korra is a girl and if she is bisexual marvelous but by accentuating the differences between Asami as a “girly-girl” looking person and Korra as a more masculine person they pretty much made the whole relationship heteronormative as usual. If Korra ended up with Kuvira eventually I would have appreciated that even as they are each others’ equals. So is Mako and Korra to many extent. They made Asami pretty much soft and feminine like 90% of the time to complement Korra’s “masculinity” but they also wanted some space for Makorra. I would have respected this relationship more if it was even eventually developed with Jinora as she became older. Because the sort of understanding Jinora had with Korra and Korra had with Mako is pretty elementary in any relationship.
Also, by showing they migrated to the spirit world was also indicative to that “yin | yang” feminine and masculine presence in a heteronormative stance. They won’t ever show Mako as a “feminine” though at many points this season he is and Korra is “masculine”. I realized that it is also pretty cruel to suggest that strong woman can’t be anything aside bi or lesbian — this is pretty common in mainstream culture. Strong men are either made so macho that you have to think them as totally straight and strong women are shown to be either gay or bi or something. Both of these procedures are quite conforming to mainstream tactics.
I love Shoujo-ai and Shounen-ai couples when they make sense. In fact, one of my favouritecouples is Anthy and Utena from Revolutionary Girl Utena, both are girls. What I loved about them is that they broke away from their heteronormative practices to be the “one” for each other. In the end, Utena was not a masculine person or feminine person neither was Anthy.
The Korrasami ending was just like Ginny/Harry in Harry Potter — it was poorly executed had no flair and was shoved right at us. This pairing was non-existent and had no bearing until the end as well. Asami hardly knows Korra and they hardly know each other other than friends so I found this relationship so thin. Can I accept it? If it develops more I can but I just don’t see as romantic. Also, it’s just too predictable. It was a cop-out. You know if Emma from Once Upon a Time ended up with Regina that would be more pretty because to me it is a good relationship and also because they have had more actual revelations with each other. This was just lazily written. Also there was no natural chemistry even when Korra and Asami were sitting together at the end and talking about life together.
The only pretty part was how they looked at each other in the end. I seriously still thought that was an over-exaggeration.
Yet this is not to offend Korrasami fans. In fact though I liked Makorra I will be honest — if they executed Korrasami better and dropped all those heteronormative markers like they did with an anime like Revolutionary Girl Utena I would be very, very , very happy. But they totally messed it up. Also, I had a feeling that after Book 3 they wanted a new male character to be Korra;ss love interest it was kinda showy of that but then decided on Korrasami at the end. It pretty much looked like that.
This is just me showing how Korrasami made no sense. It was literally just a deux ex machina that Bryke put at the end because he had to make fans happy some way.
Yup, Avatar series can’t write good love stories.
I wrote this and I know it is important concerning how biased and well sequestered all LOK ship fandoms are:
I can see that there is a collective immaturity or even ferocity in shipping in LOK that was not so prominent in TLA and not so prominent in many fandoms. I think this is also due to ages of people participating and also ages of the shows. I mean Naruto came to an end but many fans were not rabid about their disappointments nor were they gloating. It was show that stayed around for a long time.
Makorra fans are acting too angry, understandably, but still very badly executed. Korrasami fans are using this to validate themselves, be mean to Makorra fans and basically annotate every Korra/Asami scene into Korrasami which even Borra and Makorra fans can’t do because there was good development at times so no need.
This culture of ships and shipwrecking is very toxic. I mean do not just like a fandom ‘cause it;s cute like it because it has substance, Like other fandoms that are not your OTP also for that think on it and don’t hate easily. I can see that many shippers are young people and also as this LOK is younger and had lesser episodes than TLA people in scarcity of time, episodes, space and writing decide to exaggerate or expunge things.
Please be respectful. Makorra and Korrasami are pretty much both canon. Korrasami is about to happen (or not fully) and Makorra happened and might continue (or never again) both even in the end Korra showed signs of both interest in Mako and also in Asami. Maybe, as she is exploring herself she wants to see who she can fall in love with truly as her OTP.
No need to say a pairing validates you or not because I think if you are gay or straight your relationships are better than how both these ships were written. Also look at Korra and Mako and Asami as characters independent of these relationships.
I also wrote this:
I think Korrasami is also a revenge of Bryk against studio and Nickelodeon. It just feels like they wanted to say “fuck you” to the studios that always tore apart their ideas, made them cancel, made them fire crew members, make them cut out things. I do not know if the Korrasami kissing alternative ending is the original endings but apparently that was changed. In all honestly Bryke is killing two birds with one stone: making fans happy and also giving a hell lot of trouble with those studios. This make good sense as they cannot work on Avatar soon and I think it is also because of those suidio problems mostly. I feel bad for whatever Avatar endured. Korrasami assuages the pain for them in a way but it also shows how all their creativity to even make both Makorra a bit work better and Korrasami a bit written better was thwarted. What problems LOK had to face.
honestly I’ve clearly offended a lot of people, but I’m not sorry. No matter how you look at this, this was bad writing, bad writing for makorra, bad writing for korrasami, bad writing just in general for korra and all these characters, and this is how the show ended. I’ve been here since 2012 defending this show throughout all the crap and now there’s nothing left so, especially knowing they changed the ending….yeah I’m going to be upset.
Not many. Not so standardized as the mainstream way of looking at it. It is heteronormative. By making Asami pretty much a bimbo throughout the series and Korra a jock is heteronormative be it a straight or gay representation. They didn’t do that with Aang and Katara. Katara is a very balanced person and so is Aang. Also they have both similarity and differences.. Guess what they are both benders, both spiritually inclined elements (air and water) both at the end stronger people with each other and also independently. You do not see this with Korra and Asami it recycles the same bogus trifle that Mako and Korra was accused of sprouting. Just some sentimental hugs. Asami is not integral to Korra’s development as an Avatar as much as Mako was in Books 1, 2 and even 3. Nor was she there so much before Book 4 in the development of her personhood. It is a very badly executed relationship like Makorra. They just want people of the young generation who never knew mainstream homoerotica squeal over this. It is stupid to think people are that simplistic. Once I remember that a guy commented how a villain of Final Fantasy X-2’s dress was so hot and a girl commented that it makes her look like a herpes infected hooker. As a stereotypical response he said that maybe as she is a girl so she is saying that. Then that girl said that she was bisexual girl and implying so she knows female sexiness. Korrasami should have been better written if it was to be canon. Not mitigated into something typically expected. A girl with muscles, masculine girl, is usually depicted to be queer for all the wrong reasons just like an effeminate man is. These are tropes that persist so nothing innovative was done with Korra. She as a “male” spirit bounded with a female spirit. If it was better written I would have no complaints. I wanted Katara to end up with Zuko but easily accepted her with Aang because they were not lazy, they wrote very well how a crush became a love. This is lazy writing. You like it that’s great I would have loved it if they didn’t put in mainsteam cultural biases of how same-sex couples are like.
I don’t hate Korrasami. I hate how all relationships was written in LOK. It was stupid. A canon lesbian relationship needs to be beautifully written not so “oh I hug you and you hug back” — Asami was pretty much a effeminate bimbo. I hated how they wrote her. Here best action scenes were in Book 1 and 2 then went downhill. Korrasami the way it was written is the stereotypical way of writing or looking at female/female relationship with one “masculine” and “feminine”. Korra may have told her insecurities to Asami but this was not stressed (or developed) what was stressed is that Korra is looked at as a “man”. People cannot write any relationship nowadays without a heteronormative circuit be it straight or gay. That is what got to me. I would have loved Korrasami if it was not so rushed and written with the same care as Kataraang was written. It was written badly. I am happy if you shipped them because I am always happy if a shipper’s couple becomes canon regardless of it was mine or not. But it was a cop-out as in how it was written. Because of that they also did not completly extinguish Makorra. Mako and Korra still have chemistry. Mako loves Korra still (she does too) and possibly is thinking of courting her in future. Which is kind of sad. That they don’t know what to write. This sort of bullshit is not new think of Cloud from FF7 and you get the same results Korrasami should have more intricately written because if it is to be the canon relationship the writers should show it better.
Apparently, not as much as you. Firstly, speak properly. By being so thoroughly aggressive you allow discussions to go nowhere. You can tell me what you love about Korrasami aside the generic “cute” slogan. Secondly, stop being overly sarcastic with people who do not agree with you. There is nothing “wrong” about a pairing like Korrasami if it was beautifully executed. It was not. It was a cop-out even at this point if she dated Boilin that would be a cop-out too. If she dated Mako it would partially be a cop-out but Mako has been changing as Boilin. So yeah in the end none of the relationships were balanced. It was lazy storywriting.
It is pretty obvious that that was attempts at bullying but it is true what I said. You want a strong same-sex couple then make Kuvira available even from Book 3 and you get this better. Or write Asami better and then we can appreciate it more. Asami was supposed to be a villain first, then she is a hero but still compared to Sokka and even Suki pretty badly developed and she is basically just a socialite who wears clothes and acts nice.
I don’t know for sure if the kiss ending was the original but apparently the original ending was changed and I think it was either Korra going off by herself or with Mako but to make fans happy these conclusive matter was dashed and to keep spectacles alive.
All the materials above are from tumblr. All I can say is that I thought about them a lot before coming to that conclusion. Korrasami, the way it was depicted, was a gender normative, heteronormative way of looking at a same-sex relationship that conforms to the very gender roles that we assign males and females. Korra is pretty much the yang male spirit and the effeminate Asami is the yin female in the crudest of forms.
Yes, finally watching another basketball anime😀 My favourite is obviously Slam Dunk🙂
It’s a discombobulated watching though. I decided to skim a bit because there are like 40 episodes and there is gonna be a 3rd TV series soon and I need to watch all of this in a short time it feels. Though as soon as I can I am gonna marathon all of it because I am bit busy right now with studies so marathoning is quite not happening at the moment.
I think 2nd TV series is where Kuroko no Basket really starts shining. I really like Kuroko. Tetsu is this strange, deadpan character. What;s cool is that of all the characters he is the most unique and I can actually feel it palpitate in him, around him and out of him. I really love that his actions are a bit unpredictable and that he is a very ghostly character. No one detects him until like he is 2 inches or 2 seconds away which is a good running gag😄
A complaint I have of Kuroko no Basket is that it has some very glaring flaws. I think I give the mangaka props for making a lead hero as passive to a certain extent to an otome heroine: I can actually imagine this guy being pushed around by a Tsundere love interest prior to any interaction (that does happen in the anime). Yet he does have that virtuoso quality of being inconspicuous and super fast reflexes so that’s pretty awesome. Yet Kuroko steals the show pretty much. I am noticing that none of the other characters are given that much introspection. Yes, they have distinct traits some of them but most of them don’t.
Even out of the Miracle 5 only Seijuro Akashi is the one that is both enigmatic and shares an aura similar to Kuroko’s. That guy screams Yandere which is interesting. This is the first Yandere character I saw in a sports anime not to mention a guy. There are many layers to this guy so I hope they do focus on him a lot.
I guess this is also the fault of adapting animes early from manga. I notice that before people use to wait a bit more for manga to progress a lot before they made them animations. Nowadays, anything that sells well will be turned out very quickly. This makes an anime weak in layers which is also Shingeki no Kyojin suffered from to a certain extent. Compared to Slam Dunk this anime also suffers from that. Also Slam Dunk also focused a lot on training the protagonist Hanamichi Sakuragi to become an A class basketball player. Those practice sessions are detailed making me involved with the characters. This is not done as much in this anime. I would also like to see the players on daily life interactions. In Slam Dunk each character even minor was shown a lot outside the court doing well what normal adolescents/young adults do and that made a fulfilling experience. In this aspect Kuroko noBasket is detached. You want to invest on all the characters so it would be nice to see them out of their comfort zones.
Especially this can be shown about Seijuro. Apparently, he is both an academic and athletic prodigy which is like the Leonardo Da Vinci in this anime. However, Seijuro is also very disembodied person because his genius alienates him from even himself. His father pushes him a lot to be the best and he comes from wealth and privilege. It would be great to know what his thoughts on are about different things. I remember in Jigoku Shoujo or Hell Girl live action series the very first episode showed a rich girl who thought that the poor or less financially fortunate should work and that they deserved no privilege. I know this anime is about basketball but all characters have a wide range of interests especially this guy I would want to know what he thought about, his state of thinking of his self and society. After all, what do prodigies like him think on.
The character designs, well at times they are repetitive, they are not so clean and distinguished as they should be but the level of detail to anatomy is priceless. The flexibility of muscles and body movements are beautifully choreographed:
At this moment I do think Slam Dunk is a more variegated anime as in still top notch and Kuroko no Basket has a lot of strong points. However, I do think it needs to pull up more to match against that anime. Yes, Kuroko no Basket does have some great moments especially in game play but I do want it to also focus on character depth and study. In the 2nd TV series the introduction of Aomine actually show deep insecurities and vulnerabilities on Tetsuya Kuroko and there were some beautiful expressions and emotions related. If the anime can retain such dimensions it is definitely a great piece of animation and story with spectacular execution.
So, what do you think of this anime? What do you think of both Slam Dunk and Kuroko no Basket, the pros and cons of both series?
Watching the anime Shirobako at this moment. I am really interested in this shounen which deals with anime making and production. The characters have nice design distinctions (actually, the male characters do I wished the females did as well). The males are so nicely distinguishable I was really, really taken to that as well. Sure, there are the general attractive guys but there are some that look what you may say “average” faces but not so average physiques. Also fat dudes and clean cut hair dudes with bearded dudes. This is for even people who seems support staff. But most of the girls are still moe fair how boring. C’mon guys make the girls fat too or cute or even muscular as Mikasa from Shingeki no Kyojin🙂
Apparently the animator/director or storywriter actually based many of the characters on real people who work on this industry.
I am actually watching Attack on Titan now. Which is good seeing that the 2nd TV series/season will come out next year so I am happy if they do make the series as cool as the manga is. Personally, I did see some glaring flaws in this anime too but I will re-watch the series and so I put TPAB’s review on besides his review allowed me to actually think on a few things myself for my review. So, enjoy this for now.
This is review number two hundred and forty nine. This anime is part of the Spring 2013 lineup. The anime I’ll be reviewing is probably the most hyped anime of the anime. It’s the most talked about and the most awesomest anime of the year. The Year!!! The anime I’ll be reviewing is Shingeki no Kyojin or Attack on Titans. It’s a twenty five episode anime about a guy that wants to kill all giant lumbering monsters that want to eat humans. This is an awesome show. It’s easily one of the stand outs of the year. Let’s read on.
I think, from what I gleaned from Wikipedia, this is different from Shungiku Nakamura;s usual flare. Hybrid Child is about a android type project who grows as love is invested onto him. The manga explores the couples but also the creator of the Hybrid Child as in which young boy/man made him conceive of the blueprint. It is science fiction with yaoi elements strewn in and the premise is interesting. I was currently watching Junjou Romantica and the main couple depresses me because like Sekai-Ichi Hatsukoi it starts great the first 2 episodes then just go downhill. Not to mention, I shouldn’t have given Masamune a hard time because Akihiko is a bigger pervert and a pretty annoying piece of shit at least they show Masamune working his ass off. They don’t focus on Akihiko’s eccentricities after the first two episodes much and that sucks. I hope some fan in fanfiction makes a more reliable character.
Anyway the first episode is out and the others are gonna be out as follows: 26 Nov, 24 Dec + 28 Dec 2015. It’s just a 4 part OVA series but I guess that’s okay.
It is about a young man named Ritsu Onodera who is painfully shy from romance and any kind of love life. When he was younger he was seemingly betrayed by a older boy he loved and as he was not the social-sort and always a bit timid he resigned to not really be in love.
Unfortunately for Ritsu, the very boy or now man enters into his life ten years later in the Marukawa publishing house’s Shoujo Manga division. This man (boy) is Masamune Takeno who was once known in school as Masamune Saga . They both do not recognise each other, obviously, due to ten years of absence in each other’s lives. Yet Masamune later on looks closely and realises it’s his first love and decidedly declares to a reluctant Ritsu that in a year he will make him confess his love for him again.
Ritsu is obviously 100% annoyed. This man broke his heart and now attempts to be so casually engaged with love again. Apparently, Masamune mentions that it was Ritsu who had done the betrayal and not him. This also confuses Ritsu because Ritsu has no recollection of ever hurting Masamune. Yet Masamune seems interested in not losing Ritsu this time and for establishing love once more.
Can these two stay together or will there be no way to0 resolve what was probably miscommunication and hurt on both ends?
That;s basically the entire show. The worst thing is it is not nicely executed. One will see this show for its beautiful graphic and colour palette, to see some of the inner workings of a manga publishing house, to see lots of snogging between attractive men and the minutiae of life with attractive men. I know I enjoyed those moments.
Did I like the couples or did I care about them?
Fuck not much.
Seriously, I do not want to offend any fans nor do I want to offend the mangaka but this is very badly executed, even if the singular idea of reuniting love or accepting love is not bad.
I was introduced to this series I think when I was looking for titles as such. I took a small break from it but returned to it a year later because I actually liked the character designs and the real-world based setting. So my chagrin lies on the fact that a potentially good story is quite weak in structure be it symmetrical or semi-chaotic.
I admit I liked rewatching the series for its fluff factor which can be just zoned in to moments but I did not particularly care about any of the characters except Ritsu Onodera and Takafumi Yokozawa which is a bit sad as there are many characters so😄
This isn’t going to be a regular review as it will mostly focus on my personal reflection. It is also going to be LONG and SPOILER FRENZY based on both seasons and the movie.
Despite me not so interested in this anime I can write long about it. I guess I have a lot of opinions on the series. I do like its fluff and that makes it re-watchable but I felt it had more potential that could have easily been extracted and executed yet alas that did not happen. Oh well onwards!
The main couple, Ritsu Onodera and Masamune Saga/Takano are a bunch of incompatible, uninteresting, too-sexualized, too passive-aggressive, non-flirtatious, non-talkative, stalemate (checkmate), misunderstanding, extremely poor communication bunch of lovers you could see. Their singular spark comes alive in really off-hand and pretty much coerced kisses between the two. Yes, and if you know the shounen-ai dichotomy you are well aware that Masamune is Seme and Ritsu is Uke and that the Seme is supposedly the action-taker.
Masamune is a drab guy who somehow thinks that coercively kissing Ritsu is the only way to rekindle what may have been a genuine first love or even a crush. I see most of the action of their youth being taken by Ritsu and also accelerated by Ritsu with only erotic or semi-romantic actions being boredly or even honestly initiated by Masamune, Fast forward 10 years later and Masamune is still kind of a prick who acts all high and mighty.
I can understand that he has a developed a “killer attitude” in the workplace yet with Ritsu he is not as understanding as he should be nor is he tolerable or a person who respects another’s private space. I can understand the separation has instilled in him a desperation that he longs for Ritsu but dude grow up you guys had a huge break and are at a deadly impasse don’t jerk Ritsu about.
What this so-called couple needed was good-old fashioned talk-therapy between each other. I mean even as the anime is expiring and both have kissed each other’s faces off but Ritsu doesn’t know why Masamune thinks he has abandoned him and Masamune shrugs off Ritsu;s complains that he was brusque and insulting to his feelings post-coitus.
In my opinion, Masamune is a culprit. No matter how you look at it you saw that Ritsu is a mild mannered person and anti-social. Laughing like that after sex when Ritsu asked him did he really love him and not affirming his belief is actually a very nasty thing to do. Obviously, a sheltered and even looking like a bullied person, Ritsu would think that Masamune is just passing time with him as he does in the library reading (though they did once lock the library and got a bit hot there).
I admit that Ritsu’s escapism is also at fault. If Ritsu just told Masamune straight off that he is being a jerk and he shouldn’t take his feelings lightly even if they are a bit intense I know this whole situation was avoidable. Yet Masamune did everything to initiate it. Even 10 years later he brushes it off as he was going through a lot then with his parents divorcing and how he was a bit of a punk then but that still doesn’t really excuse him. If he is so keen on wanting and loving Ritsu he should just be there for him and prove his love because all those years back Ritsu did all that so now it’s his turn.
No, he doesn’t do that; the guy just prances around and just sexually harasses Ritsu whenever and wherever hoping that Ritsu will relent. At times Ritsu does and they have weird knocked-out kind of sex that Ritsu either intentionally blocks out or has a hangover and kinda doesn’t remember (O_O :/). Instead of also informing him that he had sex Masamune does the whole you don’t remember speech over and over like they are on some of eternal repeat.
Yeah, it gets that annoying. Not to mention Masamune withhelds information; he is as bad as shoujo-stereotype heroine (as in bodice-ripper) implicitly telly Ritsu that he is not an innocent though obviously Ritsu is sexually still an innocent and quite untainted in his analysis. At the same time he is explicit as a harlequin man doing coercive action hoping it would be similar to affirmative action (I kid you not). Thus he is a merging of two tropes that bring out a bad synergy rather a positive or even tolerable one. Ironically, the best synchronized trope mix is Takafumi Yokozawa who is an ex, friend and colleague of Masamune and also his eventual lover Zen Kirishima (more on that later).
Masamune later on in the movie decidedly and finally apologises to Takafumi for in a way jerking him around. In some ways Masamune blinds himself of the dedication that Yokozawa puts on him. In my opinion, Yokozawa first two TV series is a complete asshole. It also doesn’t help that Ritsu becomes too passive about him. I understand Ritsu’s reluctance to have a verbal spat with a company senior but a few choiced remarks would have been helpful especially at one time Masamune points out (coming to the rescue) that Yokozawa deliberately did not pay attention to Ritsu’s work. Not that he pulled the classical jealous bitch and sabotaged it he just didn’t give it the attention it deserved.
Yokozawa lashes out at Ritsu because during university years Masamune was a wreck not able to cope with anything, becoming devoid of everything around him and naturally he blames Ritsu’s sudden disappearance from Masamune’s life as the sole cause to his psychological breakdown. Masamune does not especially since we see in the last episode of the 2nd TV series that Masamune’s parents were pretty negligent about him and also they were on the turn for a nasty divorce.
Yet Yokozawa thinking Ritsu is Masamune’s kryptonite is not abnormal nor unfair though his treatment of Ritsu is pretty unfair. Takafumi thinks that Ritsu is like a tease who specialises in breaking hearts which is a far cry from who Ritsu Onodera is. Not to forget that Masamune doesn’t really translate Ritsu as Ritsu as in he admits that Ritsu has changed a bit 10 years so Ritsu has obviously matured so he doesn’t know him much anymore. This “stranger” attitude is how Masamune handles the Yokozawa-Onodera situation though he deeply suspects that Yokozawa is being a bitch to him. Takano does not really blast Takafumi much for being a bully to Ritsu which is also something I hated.
That is why Masamune is such an incompetent lover. Aside his kissing vibes and actions he hardly understands Ritsu nor is engaged to Ritsu as a person. The mangaka just treats these people as instruments of romance rather than actual invested lovers. I read in wikipedia that Shungiku Nakamura actually wrote Sekai-Ichi Hatsukoi as a spin-off to Junjou Romantica which I am partially familiar with. Nakamura may have just treated this as a pet project or something because to me it is not the best first lobe in the world <sweat drop> On the contrary it trivializes the precepts and concepts, of love and romance to a certain degree though to give it credit it has a few gem moments.
My favourite character is Ritsu Onodera. As a character he is the best written one in this series. Though a traditional uke in some design blueprints and precepts of personality he is ambitious, non-conformist at some turns, not a belligerent hardass nor a complete doormat. In reality he is more fiercer than Takafumi and Masamune.
This young man of 25 has more spunk and direction than the 27 year old annoying git Masamune. Ritsu has an impressive family history in the publishing industry but decides to just escape from it. Masamune does say one valuable thing: your lineage is just a surplus, a little ladder that gave a small boost it isn’t you in your entirety and it won’t qualify you or your work if you don’t understand or are conscientious. That is the most valuable gem in the series and Ritsu is a living embodiment of it.
Ritsu would have better in a shounen anime or another drama where he is bisexual or a thought experiment of an anime. This is my own personal thing but I can easily visualize him in a university drama like Honey and Clover or a male model in Paradise Kiss who is Yukari’s classmate/lover/friend. I can imagine him as a ninja in Naruto or a detective in Death Note or even Misa Amane’s co-star who is rightly suspect and discovers things about her. I can even imagine him as Prince Tutu, and extension of Princess Tutu. Or even as a cast of Free! or Haikyuu!! Yes, I can imagine him like this because Ritsu Onodera is so beautifully delicate and strong, such a large potential of attributes and personality with a repertoire of diligence and finesse that I seriously think he is wasted as just the love of a guy named Masamune Saga/Takano.
This is honestly my opinion. I think in all those incarnations he would work in publishing because he has a literary and artistic talent that is quite beautifully presented if not wholly fleshed out. Yet he can work on other things I can see that capacity for it. Masamune, on the other hand, can be the archetype seme and just be that; his character is narrow and static. Ritsu’s is not.